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Polystylism
Tonalitysince 1950
Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi
The Elements of Contemporary Turkish Composers' Solo Piano
Polystylism and Narrative Potential in the Music of Alfred Schnittke
Opera in Miniature
Analyzing Gender Inequality in Contemporary Opera
Fusion Process in the Instrumental Works by Chen Yi Xin Guo
Narrativity in Postmodern Music: a Study of Selected Works of Alfred Schnittke
The Theory of Polystylism As a Tool for Analysis of Contemporary Music in the Post- Soviet Cultural Space: Some Terminological Aspects
Luca Lombardi CONSTRUCTION of FREEDOM
AN AMERICAN ENCOUNTER with POLYSTYLISM: SCHNITTKE's CADENZAS to BEETHOVEN Aaron Rapaport a Thesis Submitted to the Faculty Of
PUCCINI AS MODERNIST: SELECTED TWENTIETH-CENTURY STRUCTURES in GIANNI SCHICCHI and TURANDOT by BERNARD M. Mcdonald Submitted To
Thesis Final Submission
Alfred Schnittke's Concerto for Piano and Strings Within
Post-Modern Classical Music and Copyright Law Jamie M
Mozart Concertos (M/J 2008)
Quasi Una Sonata)
FROM POLYSTYLISM to META-PLURALISM Essays on Late Soviet Symphonic Music
Top View
Triadic Music in Twentieth-Century Russia
Examining François Rossé's Japanese
Schnittke Studies
The Genesis of the Soviet Prelude Set for Piano: Shostakovich, Zaderatsky, Zhelobinsky, and Goltz Matthew .J Roy Eastern Washington University
Chorale and Canon in Alfred Schnittke's Fourth String Quartet Aaminah Durrani Louisiana State University and Agricultural and Mechanical College
AMS Newsletter August 2009
The Museum of Musical Modernism
Stylistic Fusion in a Postmodern Context