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Pier Francesco Tosi
Historical Vocal Pedagogies
Why Do Singers Sing in the Way They
Francesca Caccini (1587-1641): Composer, Performer, and Professor Represented in Il Primo Libro Delle Musiche
The Baritone Voice in the Seventeenth and Eighteenth Centuries: a Brief Examination of Its Development and Its Use in Handel’S Messiah
THE MESSA DI VOCE and ITS EFFECTIVENESS AS a TRAINING EXERCISE for the YOUNG SINGER D. M. A. DOCUMENT Presented in Partial Fulfi
Late Baroque Ornamentation: Philosophy and Guidelines1
Chapter 1 Methodologies: Sources, Singing, and Style
Observations on the Florid Song, Or, Sentiments
Franz Washington 0250E 17325.Pdf
Ornamentation in Mozart's Concert Arias for Aloysia Weber: the Traditions of Singing and Embellishment
Observations on the Technique of Italian Singing from the 16Th Century to the Present Day
The Uses of Rubato in Music, Eighteenth to Twentieth Centuries
Giovanni Luca Conforti and Vocal Embellishment: from Formula to Artful Improvisation Murray C
Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas
Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
Francesca Caccini (1587-1641): Composer, Performer, and Professor Represented in Il Primo Libro Delle Musiche Marina Lobato Miranda
AN UNDERSTANDING of STYLE of BAROQUE ORNAMENTATION in HANDEL's OPERATIC ARIAS: a STUDY of SELECTED RECORDINGS (1950S – 2010S
The Silencing of Bel Canto Brianna E Robertson-Kirkland (University of Glasgow)
Top View
Function of Singing Treatises
Damn the Da Capo! Stylistic Considerations for Performing and Ornamenting Baroque Song Prepared for the Madison Early Music Festival, 2020 Dr
Concerning the Performance of Mozart's Concert Arias K. 294 and K
The Disciplines of Vocal Pedagogy: Towards a Holistic Approach
A Countertenor Aria Collection Continuum for Studio Training And
Bach's Tenor, Modern Ideology and Historical
From Italian Opera to Estill: an Overview of Bel Canto Style Singing Techniques from the Eighteenth Century to Modern Day Phoebe R
The Development and Implementation of Coloratura Technique
Chopin's Cantabile in Context
ABSTRACT Title of Dissertation: CHORAL IMPROVISATION
A Lyric Soprano in Handel's London: a Vocal Portrait of Francesca Cuzzoni Lisabeth M
The Role of Diction and Gesture in Italian Baroque Opera Olga Termini
Some Historical Facts of the Classical Singing - Part Two
PDF « Observations on the Florid Song; Or, Sentiments on The
A Singer's Guide to the Solo Secular Vocal Literature
Performance Practice of Recitativo Secco in the First Half of the 18Th
Bontempi, Maffei and Conrad on Teaching Voice
Some Observations Concerning Baroque and Modern Vibrato Frederick Kent Gable
Vibrato Wars’: Exploration and Application of Varying Vibrato in Handel’S Opera Seria Arias
The Tenor Roles in the Oratorios of George