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» Phyllis Dietrichson
Phyllis Dietrichson
DOUBLE INDEMNITY Billy Wilder, 1944
Film Books Food Drink C E D V O N T C O
The Problem Body Projecting Disability on Film
Soc 172 Case Study 1925-01 Part B
Double Indemnity: Billy Wilder Vs
Double Indemnity by Matt Zoller Seitz “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
Podcast Transcript: Double Indemnity As a Moralistic Critique of Los Angeles the Dark Side of Los Angele in Noir Films
Double Indemnity
The Philosophy of Film Noir
Spider Women" of the Silver Screen: Femmes Fatales of the Hard-Boiled Fiction, Classic Noir and Contemporary Noir Periods
Notes on Double Indemnity
Discussion Questions for Women in Film--Cleveland Gathering, Wednesday, October 2, 2013
Double Indemnity (1944) Detailed Notes
Double Indemnity Series: BFI Film Classics
Actuarial Age: Insurance and the Emergence of Neoliberalism in the Postwar United States
'I Killed Him for Money': the American Dream in Billy Wilder's Double Indemnity
From Riveter to Riveting: the Rebirth of the Femme Fatale
Double Indemnity (1944) Dir
Top View
Double Indemnity (1944)
Anymore: Domestic Masquerade & Faux-Housewife Femme Fatale In
A Cultural Interpretation of Double Indemnity (1944)
Film Noir: Somewhere in the Night
Male Nostalgia and Hollywood Film Music: the Terror of the Feminine Carol Flinn
Crime, Guilt, and Subjectivity in Film Noir
