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Perfect fourth

  • Frequency Ratios and the Perception of Tone Patterns

    Frequency Ratios and the Perception of Tone Patterns

  • Vocal Similarity Predicts the Relative Attraction of Musical Chords

    Vocal Similarity Predicts the Relative Attraction of Musical Chords

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    Musical Techniques

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    11 – Music Temperament and Pitch

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    On the Notation and Performance Practice of Extended Just Intonation

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    Polytonal Non-Octave Complexes DMA Document Presented In

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    Correlation Between the Frequencies of Harmonic Partials Generated from Selected Fundamentals and Pitches of Supplied Tones

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    Just Major Thirds

  • The Structure of Plato's Dialogues and Greek Music Theory: a Response to J

    The Structure of Plato's Dialogues and Greek Music Theory: a Response to J

  • A Study of Vocal Compositions for Two and Three Voices

    A Study of Vocal Compositions for Two and Three Voices

  • The Perfect Fifth: the Basis of All Harmony? | Hub Guitar

    The Perfect Fifth: the Basis of All Harmony? | Hub Guitar

  • Mathematical Perspectives on Music-Theoretical Knowledge

    Mathematical Perspectives on Music-Theoretical Knowledge

  • Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music

    Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music

  • Western Music Theory

    Western Music Theory

  • Scholtz, Algorithms for Tunings and Temperaments

    Scholtz, Algorithms for Tunings and Temperaments

  • Leedypower4.Pdf

    Leedypower4.Pdf

  • Impact of Intervals on the Emotional Effect in Western Music

    Impact of Intervals on the Emotional Effect in Western Music

  • Tonal Fusion of Consonant Musical Intervals: the Oomph in Stumpf

    Tonal Fusion of Consonant Musical Intervals: the Oomph in Stumpf

Top View
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  • Vocal Similarity Predicts the Relative Attraction of Musical Chords
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  • Lexicon of Comparative Theory Terminology
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  • Math and Music the Monochord Lab: Length Versus Pitch Due: Thursday, March 22, Start of Class Names
  • Chapter One — Intervals and Triads


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