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Parody mass
Two Instrumental Arrangements from Early Sixteenth-Century Bohemia Edward Kovarik
Chapter 9 5, Or 7, by Reading Clefs and Adding Accidentals to Avoid Franco-Flemish Composers, 1450-1520 the Tritone
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Aj. Orlando Di Lasso's Missa Ad Imitationem Moduli Doulce
The Genres of Renaissance Music: 1420-1520
Celebrations from the Mediterranean New York Polyphony
Divine and Earthly Love in Orlando Di Lasso's Parody Masses
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Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant
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Sacred Music Volume 134, Number 1, Spring 2007
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Some General Observations on Mass Composition in the Renaissance Charles Lathan Hill
Chapter 5: a Perfected Art: Church Polyphony in the Late Fifteenth and Sixteenth Centuries
Top View
Un Cuaderno De Música Poco Conocido De Toledo
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Musical Borrowing and Formal Organization in Renaissance
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