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Ottavio Rinuccini
3. Monody and Opera
Opera Origins
Ballo Delle Ingrate / : La Musica Per Il Balletto
Western Culture Has Roots in Ancient
Più Dolci Affetti» Ottavio Rinuccini E La Lingua Del Primo Melodramma
Forgotten Reality, Remembered Fiction, Production Values and Court Opera
The Accademia Degli Alterati and the Invention of a New Form Of
Myth, Allegory, and Theory in Jacopo Peri’S and Ottavio Rinuccini’S Euridice (1600)*
Peri, Le Musiche Sopra L'euridice
Charon in the Libretto of Claudio Monteverdi's Opera Orfeo
Monteverdi's Orfeo As Artistic Creed
Episode 9: Splendors of Baroque Italy Pre-Concert Talk
Similarities in the Use of Dramatic Recitative Style in the Music Of
Implicit Evidence in the Music of Emilio De' Cavalieri
EURIDICE« Bojan B U J I C (Reading, England)
Casa Buonarroti, Firenze, Via Ghibellina 70
Metamorfosis De Dafne En La Historia De La Ópera
First Attempts at the Dramatic Recitative: Jacopo Peri – Giulio Caccini1
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SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit
The Florentine Camerata and Its Influence on the Beginnings of Opera