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Only God Can Judge Me
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
Hip-Hop Artists' Perceptions of Criminal Justice Howard M Henderson, Texas Southern University
The Evolution of Commercial Rap Music Maurice L
Nejlah Clark #1
A Tupacian Theological Gospel Therapy and Dealing with My Own Demons—That I Threw Salt On
Hip Hop As a Continuation of the African American Protest Tradition, from David Walker’S Appeal (1829) to Kendrick Lamar’S “The Blacker the Berry”(2015)
Making Sociology Relevant to Society
A Look Inside the Political Hip Hop Music of Tupac Amaru Shakur
Salmons PJ D 2021.Pdf (1.465Mb)
Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music Author(S): Charis E
Music Library
University of Pardubice Faculty of Arts and Philosophy Non-Standard
55954 Songs, 137.5 Days, 339.51 GB Page 1 of 96 Artist Album
THE PORTRAYAL and FREQUENCY of RELIGION in SECULAR RAP MUSIC a Thesis Presented to the Faculty of the Graduate School at the Un
Rapping on Narrative Therapy's Door
(HYPE): a Hip-Hop Therapy Program for Black Adolescent Males
Beyond Bitches, Niggers, and Ho's
Top View
Did Pandialy Walk on Fire? the Refutation of an Ancestral Mythological Genesis As a Quest for Knowledge and Acknowledgment
Check the Rhime!
© 2007 School of Criminal Justice, University at Albany Journal of Criminal Justice and Popular Culture, 14 (1), 2007. 176-196 177 / JCJPC 14(2), 2007
Living by Faith