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Nomos Alpha
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Exploring Xenakis Performance, Practice, Philosophy
Iannis Xenakis, Roberta Brown, John Rahn Source: Perspectives of New Music, Vol
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SELF-BORROWINGS in the INSTRUMENTAL MUSIC of IANNIS XENAKIS Benoît Gibson : University of Evora / CESEM1 (Portugal),
[email protected]
Περίληψη : a Music Composer of Greek Origin, Coming from a Family of the Greek Diaspora
Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance-Sensitive Approach to Morphosyntactic Musical Analysis
The Complexity of Xenakis's Notion of Space
To Graphic Notation Today from Xenakis’S Upic to Graphic Notation Today
TEM Issue 91 Cover and Back Matter
Multidimensional Data-Sets for Sound Applications
SELF-BORROWINGS in the INSTRUMENTAL MUSIC of IANNIS XENAKIS Benoît Gibson : University of Evora / CESEM1 (Portugal),
[email protected]
Three Components of Xenakis' Universe
The Xenakis Sieve As Object
Xenakis in America
Iannis Xenakis and Sieve Theory
ICMC 2009 Proceedings
Top View
Iannis Xenakis' Contributions to 20Th Century
Iannis Xenakis and Sieve Theory an Analysis of the Late Music (1984-1993)
STRUCTURE and SYMMETRY in IANNIS Xenakis' NOMOS ALPHA
Iannis Xenakis
Iannis Xenakis: Composer, Architect, Visionary
Exploring Xenakis Performance, Practice, Philosophy
Cellular Automata in Xenakis's Music. Theory and Practice
Turner Charles Xenakis in Am
James Harley. 2015. Iannis Xenakis: Kraanerg. Landmarks in Music Since 1950 Series