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Night of the Living Dead
Horror and Society
"They're Us": Representations of Women in George Romero's 'Living
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
The Zombie in Popular Culture from "Night of the Living Dead" to "Shaun of the Dead"
Narcocorridos As a Symptomatic Lens for Modern Mexico
Zombies in Pittsburgh Press Release FINAL
Night of the Living Dead” Brings Original Zombie Classic to Cinemas in Time for Halloween
NIGHT of the LIVING DEAD Credit: Written by Author: GEORGE A
Night of the Living Dead
Introduction
Second Takes in Recognition of the Ways in Which the Sequel Recapitulates Features of an “Original,” but Additionally Offers Something New to Its Source
White Zombie, I Walked with a Zombie, Night of the Living Dead, Dawn of the Dead, Day of the Dead, Victor Halperin, Georges A
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies Or How to Be the Living Dead in Technicolor
The Racial Critique of Consumerism in George Romero's Zombie Films
Best Movies in Every Genre
Historical, Cultural and Sociological Themes Within the Zombie Film
Queer Presence in Post Modern Horror Films
Dead Man Still Walking: a Critical Investigation Into the Rise and Fall
Top View
Crawling Off the Screen: an Ethnography of Live Action Zombie Events in the United States
The Bearprint Editor in Chief Volume 12, Issue 2 October Issue Matthew Dummeldinger K-Purch’S Top Ten Terror Films
The Grand Budapest Hotel Muppets Most Wanted the Lego Movie
Considering Blackness in George A. Romero's Night of the Living Dead
Hollywood's End of Days: Visions of Biblical Apocalypse And
Digital Filmmaker Digital Filmmaker 19 Feature : Dead Man Talking Social Statement Horror Films That He Has Made
Horror Movies Throughout History
Interdisciplinary Approaches to Surviving the Zombie Apocalypse Conference
Halloween Edition Fall 2019
Reviving the Dead in Southwestern PA Zombie Capitalism, the Non-Class and the Decline of the US Steel Industry
Born on Feb. 4, 1940 in New York City, Romero Became Interested in Filmmaking at a Young Age When He Borrowed an 8Mm Camera from a Wealthy Uncle
The Development of the Zombie Film Narrative
From Night to Dawn: the Cultural Criticism of George A. Romero
The Disruption of Hegemonic Discourses Through 70S Horror Films
A Sociological Analysis of Japanese and American Zombie Media
Title of the Damn Project
What's Streaming This June on Shudder
Masters Film Music
“... It Does Seem to Be a Fact”: Audience Knowledge and a Sociohistorical Approach to the Horrific Grotesque in Night of the Living Dead Nathaniel Stoll St
Diplomarbeit
That Was a Bit Mental: Volume 1
The Trouble with Zombies: Bare Life, <Italic>Muselmänner</Italic> And
BAM Presents Living with the Dead: the Films of George A. Romero, Feb 22—Mar 3, a Full Retrospective Honoring the Horror Master and Indie Maverick
Night of the Living Dead by Jim Trombetta
Transcript a Pinewood Dialogue with George A