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Narrative film

  • Brakhage Program 2012

    Brakhage Program 2012

  • Film Culture in Transition

    Film Culture in Transition

  • Hollywood Cinema Walter C

    Hollywood Cinema Walter C

  • Film & TV Screenwriting (SCWR)

    Film & TV Screenwriting (SCWR)

  • Classical Hollywood Film Directors' Female-As-Object Obsession and Female Directors' Cinematic Response: a Deconstructionist Study of Six Films

    Classical Hollywood Film Directors' Female-As-Object Obsession and Female Directors' Cinematic Response: a Deconstructionist Study of Six Films

  • Women's Experimental Cinema

    Women's Experimental Cinema

  • Immersion in Interactive Documentaries: a Game-Studies-Driven Approach in a Case Study of Bear 71

    Immersion in Interactive Documentaries: a Game-Studies-Driven Approach in a Case Study of Bear 71

  • Cinema Studies: the Key Concepts

    Cinema Studies: the Key Concepts

  • Authorship and Post-Classical Hollywood

    Authorship and Post-Classical Hollywood" (2015)

  • Film As Narrative Fiction

    Film As Narrative Fiction

  • Can We Tell the Truth About the Future? a Critical Analysis of an Experience in the Docufictional Construction of Truth

    Can We Tell the Truth About the Future? a Critical Analysis of an Experience in the Docufictional Construction of Truth

  • Scripting the Docufiction: Combining the Narrative and Documentary Modes in a Social Issue Film

    Scripting the Docufiction: Combining the Narrative and Documentary Modes in a Social Issue Film

  • ANTHROPOLOGIE VISUELLE Notes De Lecture

    ANTHROPOLOGIE VISUELLE Notes De Lecture

  • Making Sense of Film Tom Gunning

    Making Sense of Film Tom Gunning

  • Seeing the Unseen: the Invisible Worlds of Jafar Panahi's Cinema

    Seeing the Unseen: the Invisible Worlds of Jafar Panahi's Cinema

  • English 530.001 (22729), History of Narrative Film Professor Gerald Duchovnay Spring 2018, Tues 7:20--10:10, Talbot Hall

    English 530.001 (22729), History of Narrative Film Professor Gerald Duchovnay Spring 2018, Tues 7:20--10:10, Talbot Hall

  • TOWARDS an ANTHROPOLOGICAL CINEMA by JAY RUBY (CENTER for VISUAL COMMUNICATION) Ethnographic@Earthlink.Net

    TOWARDS an ANTHROPOLOGICAL CINEMA by JAY RUBY (CENTER for VISUAL COMMUNICATION) [email protected]

  • Chapter 1: Production & Form Film 125: the Textbook © Lynne Lerych

    Chapter 1: Production & Form Film 125: the Textbook © Lynne Lerych

Top View
  • The Narrative Function of Film Music in Adaptations Based on the Works of Jane Austen
  • The Essay Film After Fact and Fiction NORA M
  • The Impact of Protagonist Motivations and Key Story Moments on Real-Time Audience Identification and Liking
  • Art, Cinema and Society: Sociological Perspectives
  • Film and Media Studies) 1
  • New Narrative Depths? Spectacle and Narrative in Blockbuster Cinema Revisited
  • Narrative Short Film
  • The Effect of Post-Production on Storytelling in Narrative And
  • Ethnofiction and Its Impact on Postwar Japanese Cinema
  • What Are the Differences Between Narrative, Documentary, and Experimental Film?
  • Creating Perspective in Narrative Film
  • Perturbatory Narration in Film: Introduction
  • History of the Mockumentary Film
  • Reenactment As Event in Contemporary Cinema by Sylvie
  • Film Studies Component 2
  • The Context of Presenting “Others”: the Construction of Meaning and the Potential of Communication in Ethnographic Film
  • AVANT-GARDE and EXPERIMENTAL CINEMA: from film to Digital
  • Insecure Worlds on Screens: Early Ethnographic Cinema in France and the United States, 1896-1931


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