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Musico

  • Exploiting Prior Knowledge During Automatic Key and Chord Estimation from Musical Audio

    Exploiting Prior Knowledge During Automatic Key and Chord Estimation from Musical Audio

  • Mariinsky Orchestra

    Mariinsky Orchestra

  • Lessons for the Vocal Cross-Training Singer and Teacher Lara C

    Lessons for the Vocal Cross-Training Singer and Teacher Lara C

  • Lulu and the Performance of Unfinishedness Downloaded from by Guest on 04 January 2020

    Lulu and the Performance of Unfinishedness Downloaded from by Guest on 04 January 2020

  • From Your Belly Flow Song-Flowers: Mexica Voicings in Colonial New Spain (Toward a Culturally-Informed Voice Theory and Practice)

    From Your Belly Flow Song-Flowers: Mexica Voicings in Colonial New Spain (Toward a Culturally-Informed Voice Theory and Practice)

  • Les Opéras De Verdi : Élements D’Un Language Musico- Dramatique

    Les Opéras De Verdi : Élements D’Un Language Musico- Dramatique

  • Kenneth E. Querns Langley Doctor of Philosophy

    Kenneth E. Querns Langley Doctor of Philosophy

  • Music on Stage

    Music on Stage

  • Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College

    Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College

  • Lecture Outline & Notes

    Lecture Outline & Notes

  • Rethinking Operatic Masculinity: Nicola Tacchinardi's Aria Substitutions and the Heroic Archetype in Early Nineteenth-Century

    Rethinking Operatic Masculinity: Nicola Tacchinardi's Aria Substitutions and the Heroic Archetype in Early Nineteenth-Century

  • Teodorico Pedrini: the Music and Letters of an 18Th-Century Missionary in China

    Teodorico Pedrini: the Music and Letters of an 18Th-Century Missionary in China

  • THE CASTRATO SACRIFICE: WAS IT JUSTIFIED? Jennifer Sowle, B.A

    THE CASTRATO SACRIFICE: WAS IT JUSTIFIED? Jennifer Sowle, B.A

  • 11-20-2018 Pecheurs Eve.Indd

    11-20-2018 Pecheurs Eve.Indd

  • Castrati Singers and the Lost

    Castrati Singers and the Lost "'Cords"9 Meyer M

  • Parola Scenica: Towards Realism in Italian Opera Etdhendrik Johannes Paulus Du Plessis

    Parola Scenica: Towards Realism in Italian Opera Etdhendrik Johannes Paulus Du Plessis

  • Tonality and Drama in Verdi's

    Tonality and Drama in Verdi's "La Traviata" David Bradley Easley Louisiana State University and Agricultural and Mechanical College, [email protected]

  • The Adaptability of Opera

    The Adaptability of Opera

Top View
  • The Chalumeau in Eighteenth-Century Vienna: Works for Soprano and Soprano Chalumeau Elizabeth Crawford
  • The Eroticism of Emasculation: Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
  • 6.5 X 11 Double Line.P65
  • Il Crociato in Egitto
  • Il Vostro Giornale - 1 / 2 - 02.10.2021 2
  • Donizetti Society Newsletter N
  • Democratizing Opera in America, 1895 to the Present
  • Back to Berlin Mark Berry Appraises Three Wagner Revivals at the Deutsche Oper Some Words Seem Destined to Be Abused
  • Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
  • The Disciplines of Vocal Pedagogy: Towards a Holistic Approach
  • Voice Training in Indian Music by R
  • The Role of 12/8 Time Signature in J
  • Giovanni Lorenzo Lulier, Alessandro Scarlatti, and Carlo Francesco
  • V71.9121.001) – Fall 2010
  • The Jardin Des Femmes As Scenic Convention in French Opera and Ballet
  • Opera (Music) -- Britannica Online Encyclopedia 2014/08/19 3:10 PM
  • Il Mito Orfeo, Mitico Cantore, Musico E Poeta Di Antiche Leggende, Ebbe La
  • Suranjan Matthew Sen April 9, 2008 Dr. Joy Calico Romantic And


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