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Merton Simpson
Vol. 23, No. 8 August 2019 You Can’T Buy It
Untitled
Hickory Museum of Art Page 14 - Mouse House / Susan Lenz & One Eared Cow Glass Page 18 - Hickory Museum of Art Cont., Blue Moon Gallery & Asheville Gallery of Art
Romare Bearden: the Prevalence of Ritual Introductory Essay by Carroll Greene
Vol. 24, No. 11 November 2020 You Can’T Buy It
Finding Aid to the Historymakers ® Video Oral History with Merton Simpson
Biographical Description for the Historymakers® Video Oral History with Merton Simpson
An American in Paris: Herbert Gentry Said His Paintings Possess a ‘Certain Spontaneity’ and Reflect ‘People I’Ve Met Throughout the World’ by Victoria L
The Barnett Aden Gallery: a Home For
Oral History Interview with Romare Bearden, 1968 June 29
Staging Civil Rights: African American Literature, Performance, and Innovation
North Carolina Artists Exhibition, Carolina Artists Exhibition Their Work My Senses
Talking About Art Eleanor Heartney Like the Rest of Us, Works of Art Do
Plunging Into the Very Depths of the Souls of Our People: the Life and Art of Aaron Douglas
Signifying Identity: Art and Race in Romare Bearden's Projections Lee Stephensglazer
Guide to the Papers of African American Artists and Related
Merton D. Simpson
Vol. 24, No. 12 December 2020 You Can’T Buy It
Top View
Black Artists and Activism: Harlem on My Mind (1969)
Spiral Members Romare Bearden, Merton Simpson, and Hale Woodruff, 1978
Norman Lewis and the Art of Abstract Resistance Mindy H.M Tan Purdue University
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Kathleen Brady
Tribal Art from the Collection of Allan Stone and Other Owners
Merton D. Simpson (1928-2013)
Biographical Description for the Historymakers® Video Oral History with Merton Simpson
Witness: Art and Civil Rights in the Sixties
Oral History Interview with Merton D. Simpson, 1968 November
Guide to the Records of the Department of Egyptian, Classical, and Ancient Near Eastern Art 1890S–2002
Delaney, White & Woodruff Set Records at Swann Norman Lewis
Anita Shapolsky Gallery
Finding Aid to the Historymakers® Video Oral History with Merton Simpson
Vol. 23, No. 2 February 2019 You Can’T Buy It
Schedule of Summer Art Classes Director’S Message
Adger Cowans & Friends: Paintings & Photographs
Bibliography and Exhibitions
Richard Mayhew
Supplementary