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Lygia Clark
Restoring Subjectivity and Brazilian Identity: Lygia Clark's Therapeutic
Modern Abstraction in Latin America Cecilia Fajardo-Hill
Lygia Pape Magnetized Space Comprehensive Monograph
Our North Is the South Our North Is the South
LYGIA PAPE: Exploring the Body in Public Space
Patricia Phelps De Cisneros Collection Concrete Invention
Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Curated by Sofia Gotti Blum & Poe, New York April 30-June 22
20 Hélio Oiticica. Metaesquema, 1958
Artelogie, 8 | 2016 Political Crisis and Artistic Renewal in 1960S and 1970S Brazil: Transgressin
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Gagosian Gallery
Press Release
THE Contemporary Art Market REPORT 2015
Cracked It! Getty Exhibition Unlocks the Material Secrets of Concrete
Mário Pedrosa Primary Documents
Art Basel 2018 June 14–17 Booth H11
Sur Moderno: Journeys of Abstraction―The Patricia Phelps De Cisneros Gift the Museum of Modern Art, New York, October 21, 2019 - March 14, 2020
The Museum of Modern Art Announces Sur Moderno: Journeys of Abstraction—The Patricia Phelps De Cisneros Gift
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The Bauhaus in Brazil Pedagogy and Practice Adele Nelson
Lygia Pape and Anna Maria Maiolino
Contacts and Exchanges of South American Artists in Europe (1950-1970) Maria De Fatima Morethy Couto Dr UNICAMP,
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Images in Cultural Psychiatry
Love and Hate to Lygia Clark Zachęta – National Gallery of Art Magda Kardasz ‘I Am Crying for a Stability That Doesn’T Pl
The Power of Play in the Works of Helio Oiticica and Lygia Clark
Textos EN.Pdf
For Immediate Release Media
Navigating Latin American Geometric Abstraction
Cisneros Modern Gift 1997-2016
A Novella in Technicolor: the Artistic Connections to Theme and Prose in "The Hour of the Star"
Instituto Amilcar De Castro
Kineticart0000bret Kinetic Art Guy Brett
Lygia Clark: Painting As an Experimental Field, 1948–1958 Lygia Clark: Painting As an Experimental Field, 1948–1958
Helio-Oiticica.Pdf
The Invisibility of Latin American Women Artists
Press Release (PDF)
Delaware Review of Latin American Studies / Primavera-Spring 2020 Cynthia Marie Canejo University of North Carolina at Asheville
Modern Art of South America from the Patricia Phelps De Cisneros Collection an Introduction to the Exhibition for Teachers and Students
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