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Luigi Cherubini

  • Gothic Riffs Anon., the Secret Tribunal

    Gothic Riffs Anon., the Secret Tribunal

  • La Sonnambula 3 Content

    La Sonnambula 3 Content

  • The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op. 123 to Op

    The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op. 123 to Op

  • The Italian Girl in Algiers

    The Italian Girl in Algiers

  • Baroque 1590-1750 Classical 1750-1820

    Baroque 1590-1750 Classical 1750-1820

  • 10 Program.03.07.18.PRINT.Indd

    10 Program.03.07.18.PRINT.Indd

  • Nature, Weber and a Revision of the French Sublime

    Nature, Weber and a Revision of the French Sublime

  • Grande Messe Des Morts: Hector Berlioz's Romantic Interpretation Of

    Grande Messe Des Morts: Hector Berlioz's Romantic Interpretation Of

  • Religious, but Without Religion

    Religious, but Without Religion

  • Riccardo Muti Conductor Cherubini Overture in G Major Liszt Les

    Riccardo Muti Conductor Cherubini Overture in G Major Liszt Les

  • The Influence of Ancient Esoteric Thought Through

    The Influence of Ancient Esoteric Thought Through

  • View Catalogue

    View Catalogue

  • Cambridge University Press 978-0-521-84243-3 — Ingres and His Critics Andrew Carrington Shelton Index More Information

    Cambridge University Press 978-0-521-84243-3 — Ingres and His Critics Andrew Carrington Shelton Index More Information

  • "Mad Scenes" in Nineteenth Century Opera. Charlotte Fakier Pipes Louisiana State University and Agricultural & Mechanical College

  • The Songs of Luigi Gordigiani (1806-1860),

    The Songs of Luigi Gordigiani (1806-1860), "Lo Schuberto Italiano" Thomas M

  • Listening in Paris: a Cultural History, by James H

    Listening in Paris: a Cultural History, by James H

  • SAVORING FRENCH OPERA Kip Cranna, Dramaturg Emeritus, San Francisco Opera Summer 2021, Wednesdays, 2:30-4:00Pm

    SAVORING FRENCH OPERA Kip Cranna, Dramaturg Emeritus, San Francisco Opera Summer 2021, Wednesdays, 2:30-4:00Pm

  • Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant

    Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant

Top View
  • Cherubini: Requiem in C Minor
  • The Musical Journey
  • Gioachino Rossini
  • Marie D'agoult
  • Downloadable PDF
  • Communiqué De Presse
  • Romantic Undertones in Revolutionary France: the Case for Tarare As Spark for the Revolution
  • SWR2 Musikstunde
  • Professor Reicha: Practice and Legacy of a Composer-Teacher
  • Ils S'exerçaient En Même Temps À Écrire
  • Luigi Cherubini
  • 1. Title Page
  • San Francisco Opera Orchestra 1918, in Leningrad, Conducted by the Composer
  • The Influences of German/Viennese Singspiel and French Opera
  • UNIVERSITY of LONDON THESIS J\Lv& AA
  • Robert Baxter Collection ARS.0196
  • 1837, Vol. 1 There Was Not a State of Italy in 1837, but the Italian
  • Get Closer to the Music


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