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Ludwig Rellstab
THE VIRTUOSO UNDER SUBJECTION: HOW GERMAN IDEALISM SHAPED the CRITICAL RECEPTION of INSTRUMENTAL VIRTUOSITY in EUROPE, C. 1815 A
Liszt and Christus: Reactionary Romanticism
German Writers on German Opera, 1798–1830
The Critical Reception of Beethoven's Compositions by His German
The Critical Reception of Beethoven's Compositions by His German
Giacomo Meyerbeer
"BEETHOVENNESS" in SCHUBERT's LATE INSTRUMENTAL WORKS by EMILY JANE ALLEY B.M., Susquehanna University, 2011 M.M., Bowling Green State University, 2014
A. Biographical Supplement
Why the Virtuosi Stopped Playing Leon Plantinga During the Most
Soave Sia Il Vento from Cosí Fan Tutte
The Critical Reception of Beethoven's Compositions by His German
Music CD List
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