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Liza Bear
The Museum of Modern Art: the Mainstream Assimilating New Art
10 Stanton St., Apt,* 3 Mercer / OLX 102 Forayti * 307 Mtt St 307 Mott St
Collected Writings
FIGURE 7.1. Demonstration/Performance by The
Continuous Project Chose to Contrast with Avalanche’S 1970S Conceptualism
Literary Miscellany
Media Arts Centers As Alternative Archival Spaces: Investigating the Development of Archival Practices in Non-Profit Media Organizations
Richard Serra Selected Bibliography
Plexus Black Box
Independent Video: the First Fifteen Years - Artforum International
Richard Serra Born 1938 in San Francisco, California
Art Since 1945 Prof. Bridget Gilman
[email protected]
Tues/Thurs
Richard Serra Born 1938 in San Francisco, California
In the Words of the Artist Amy Ballmer
EARLY HISTORY of Avalanche
Perfornaing Video in Its First Decade, 1968-1980 by Chris Hill
Video Art and Alternative Media in the United States
Transatlantic Dialogues in the Emergence of Land Art
Top View
The Poetics of Resistance Teresa Grandas
STAY TUNED STAY TUNED by Ned Rifkin ROBERT CUMMING
12/12/2017 the Business of Art: an Interview with Liza Béar... NYFA.Org - NYFA Current
SET in MOTION : the New York State Council an the Arts
Narrative Outline of AW Book\ 10 Feb 20 / 20 Feb 20
REWIND a Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980
Dislocations Robert Storr
Contract with the Skin: Masochism, Performance Art, and the 1970S / Kathyo'dell P
Participation and Politics at the Dia Art Foundation
What Will Be: the Deferred Language of Vito Acconci John Stadler
Production! Audience! * Performing Video in Its First Decade, 1968
G a G O S I a N Chris Burden Bibliography
The Deferred Language of Vito Acconci John Stadler
The Museum of Modern Art Department of Film
Gordon Matta-Clark Born 1943 in New York
Collaborative Video and Filmmaking in the Lower East Side and the South Bronx from 1977-1984