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Les XX
For Immediate Release
Estampes Modernes
Belgian Avant-Gardism, 1887-1889: Les Vingt, L'art
EXHIBITION: the Temptations of James Ensor Works from 1888 to 1940
Working in Fields of Sunshine by HEIDI J
The Artists of Les Xx: Seeking and Responding to the Lure of Spain
The Aesthetics of Self-Skeletonization in James Ensor
Thesis Is That It Was Crucial for Any Artist to Employ Specific Exhibition Strategies in Order to Be Noted and Appreciated in This Plenitude of Art Works
Portrait of the Artist's Mother-In-Law, Mme. Sylvie Monnom-Descamps
Street View: the Expressive Face of the Public in James Ensor's 1888 Christ's Entry Into Brussels
Portrait of the Artist's Daughter, Élisabeth Van Rysselberghe
The Avant-Garde Artist, an Entrepreneur?
SYMBOLISM and OTHER SUBJECTIVIST TENDENCIES: Form and the Evocation of Feeling
The Neo-Impressionist Portrait, 1886–1904
Ensor's Enduring Influence
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Les XX in the City: an Artists' Neighborhood in Brussels
Toward Expressionism: Edvard Munch and James Ensor Edvard Munch, (1863-1944), Norwegian Painter, Printmaker and Draughtsman
Top View
The Essential of the Collections
'Objective' Symbolism in the Netherlands: Community Art and the Programme of Decoration of Berlage's Beurs (Stock Exchange) in Amsterdam
The Symbolist Movement: Its Origins and Its Consequences
Théo Van Rysselberghe
Looking for James Ensor
Fauvism and German Expressionism
James Ensor: Art in the Realm of the Social
French Painters of the 19Th & 20Th Century
A Woodland Glade (Sous-Bois) Oil on Board, Laid Down on a Cradled Panel
Van Gogh Supplement Chronology
March, Saturday 19Th - 4:30Pm ACCADEMIA FINE ART Monaco Auction
Fruit-Picking, 1904 Ink and Watercolor on Paper, 287 X 230 Mm Signed with the Artist’S Monogram and Dated 1Er Septembre 1904 Bottom Right
Christ in Brussels, Ensor
The Scandalous Art of James Ensor
Fernand Khnopff: Portrait of Jeanne Kéfer
English the Collection of Helene Kröller-Müller
Main Articles
Seurat and Neo-Impressionism