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Konrad Boehmer

  • Holmes Electronic and Experimental Music

    Holmes Electronic and Experimental Music

  • John Donald Robb Composers' Symposium

    John Donald Robb Composers' Symposium

  • The Disturbance of the Dutch Premiere of Stockhausen's

    The Disturbance of the Dutch Premiere of Stockhausen's "Stimmung" Author(S): Robert Adlington Source: Music & Letters, Vol

  • Dorothea Redepenning• Ricorda Cosa Ti Hanno

    Dorothea Redepenning• Ricorda Cosa Ti Hanno

  • Copyright by Robert Harry Hallis Jr 2004

    Copyright by Robert Harry Hallis Jr 2004

  • Luigi Nono: a Composer in Context Carola Nielinger-Vakil Frontmatter More Information

    Luigi Nono: a Composer in Context Carola Nielinger-Vakil Frontmatter More Information

  • UNIVERSITY of CALIFORNIA Santa Barbara Analyzing With

    UNIVERSITY of CALIFORNIA Santa Barbara Analyzing With

  • Connection Between Visual Arts and Music: the Painting and Music of I-Uen Wang Hwang Yining Jenny Jiang James Madison University

    Connection Between Visual Arts and Music: the Painting and Music of I-Uen Wang Hwang Yining Jenny Jiang James Madison University

  • Konrad Boehmer Zur Theorie Der Offenen Form in Der Neuen Musik Einleitung 5

    Konrad Boehmer Zur Theorie Der Offenen Form in Der Neuen Musik Einleitung 5 " I

  • Luca Lombardi CONSTRUCTION of FREEDOM

    Luca Lombardi CONSTRUCTION of FREEDOM

  • Zum Lesebuch Ferdinand Kriwet

    Zum Lesebuch Ferdinand Kriwet

  • The Hands: the Making of a Digital Musical Instrument

    The Hands: the Making of a Digital Musical Instrument

  • Matthew A. Ostrowski Education

    Matthew A. Ostrowski Education

  • Quotations and Annotations to Ferdinand Kriwet's Hörtexte by Klaus Schöning

    Quotations and Annotations to Ferdinand Kriwet's Hörtexte by Klaus Schöning

  • Serialism 1 Serialism

    Serialism 1 Serialism

  • Ian Pace Piano Jacqueline Du Pré Music Building

    Ian Pace Piano Jacqueline Du Pré Music Building

  • Object-Oriented Musicology: Some Implications of Graham Harman's Philosophy for Music Theory, History, and Criticism

    Object-Oriented Musicology: Some Implications of Graham Harman's Philosophy for Music Theory, History, and Criticism

  • The Architectonic Biology of S

    The Architectonic Biology of S

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  • Das Wahre Vermächtnis Der Seriellen Musik
  • Yves Knockaert Ckaert&Submit.X=28&Submit.Y=4
  • Alternative Histories of Electronic Music 14-16 April 2016 International Conference Staged As Part of the AHRC Funded Project Hugh Davies: Electronic Music Innovator
  • Thesis Complete V2.2.Pdf
  • On the Threshold of Beauty Philips and the Origins Of
  • Techno Rebelde Un Siglo De Músicas Electrónicas
  • Fusing Music and Technology
  • Cybernetics in Music
  • Parody and Satire in Hanns Eisler's Palmström and Zeitungsausschnitte
  • Lachenmann's Sound Structures and Adorno's Musique Informelle
  • Selected Writings on Music
  • Mapping the Beginnings of Computer-Generated Art in the Netherlands
  • Curriculum Vitae
  • Ακουσματική Μουσική (Acousmatic Music) Γενικά Η Λέξη Ακουσματική
  • Structures & Spectra
  • Publication: Liner Notes Composers' Voice CD CV82 Translation: Jonathan Reeder (Quotes in Italics Are Taken from the Chapter 'The Model of Models' from "Mr
  • Spatial Music: Artist Stories
  • Download PDF Datastream


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