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Hugo Gernsback

  • To Sunday 31St August 2003

    To Sunday 31St August 2003

  • For Fans by Fans: Early Science Fiction Fandom and the Fanzines

    For Fans by Fans: Early Science Fiction Fandom and the Fanzines

  • LESSON 5: Boneshaker by Cherie Priest

    LESSON 5: Boneshaker by Cherie Priest

  • The Hugo Awards for Best Novel Jon D

    The Hugo Awards for Best Novel Jon D

  • Hugo Gernsback and Radio Magazines: an Influential Intersection in Broadcast History

    Hugo Gernsback and Radio Magazines: an Influential Intersection in Broadcast History

  • Serious Shenanigans the New Space Opera and Social

    Serious Shenanigans the New Space Opera and Social

  • Pseudoscience and Science Fiction Science and Fiction

    Pseudoscience and Science Fiction Science and Fiction

  • Forbidden Planet” (1956): Origins in Pulp Science Fiction

    Forbidden Planet” (1956): Origins in Pulp Science Fiction

  • February 2021

    February 2021

  • Art Happens Not in Isolation, but in Community’: the Collective Literacies of Media Fandom

    Art Happens Not in Isolation, but in Community’: the Collective Literacies of Media Fandom

  • Variations of Human Transformation in Science Fiction

    Variations of Human Transformation in Science Fiction

  • Science Fiction Studies, Postulates the Samuel 15

    Science Fiction Studies, Postulates the Samuel 15

  • In the Beginning – a Very Abbreviated History of the Earliest Days of Science Fiction Fandom

    In the Beginning – a Very Abbreviated History of the Earliest Days of Science Fiction Fandom

  • Science Fiction Book Club Interview with Eric Leif Davin (Aug

    Science Fiction Book Club Interview with Eric Leif Davin (Aug

  • Thesis the Communication of Fan Culture: the Impact of New Media on Science Fiction and Fantasy Fandom Georgia Institute of Tech

    Thesis the Communication of Fan Culture: the Impact of New Media on Science Fiction and Fantasy Fandom Georgia Institute of Tech

  • THEN: Science Fiction Fandom in the UK 1930-1980

    THEN: Science Fiction Fandom in the UK 1930-1980

  • {PDF} the Perversity of Things Hugo Gernsback on Media, Tinkering, and Scientifiction 1St Edition

    {PDF} the Perversity of Things Hugo Gernsback on Media, Tinkering, and Scientifiction 1St Edition

  • Science Fiction As Media Theory Wednesdays 2:00-4:50 ASCJ Henry Jenkins Hjenkins@Usc.Edu Office Hours by Appointment, Contact Am

    Science Fiction As Media Theory Wednesdays 2:00-4:50 ASCJ Henry Jenkins [email protected] Office Hours by Appointment, Contact Am

Top View
  • Speculative Blackness This Page Intentionally Left Blank Speculative Blackness
  • Hugo Gernsback's Amazing Stories, Which Hit Newsstands in April 1926
  • Science, Expertise, and Everyday Reality in 1926 by Brian S. Matzke
  • Afro-Future Females
  • Blackness Narratives in Technology, Speculative Fiction, and Digital
  • Baycon Hugo Awards Ceremony Transcription, Cleaned Version [Note: Baycon, the 1968 Worldcon, Had Its Entire Program Taped by KPFA
  • Reading Notes from a Companion to Science Fiction, Ed. David Seed (Blackwell Publishing) and Wikipedia
  • 1 Conzealand Competition to Design 2020 Hugo and 1945 Retro
  • Hugo Gernsback 1884-1967
  • Semiotic Ghosts
  • Official Bulletin of the National Fantasy Fan Federation's History And
  • Australian Fandom
  • X201c;Ahead, Warp Factor Three, Mr. Sulu&
  • The Cambridge Companion to American Science Fiction
  • Commemorating the Centenary of Forrest J Ackerman
  • Blue Ava Ford Publications International Journal of Trends In
  • PULP SCIENCE FICTION—A Primer by Dr. John L. Flynn Today, When
  • Gibson, Stephenson, and the Elevation of Cyberpunk Literature.” the Virginia Tech Undergraduate Historical Review 9, No


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