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Herschell Gordon Lewis
Considering Blackness in George A. Romero's Night of the Living
The Contemporary American Horror Film Remake, 2003-2013
The Critical-Industrial Practices of Contemporary Horror Cinema
Transatlantica, 2 | 2015 Exploiting Exploitation Cinema: an Introduction 2
Killer Copy in a Crisis
Humanist Narratology and the Suburban Ensemble Dramedy
ETD Template
Arrow Video Channel Is Getting Powered Up!
Screening Disgust: the Emergence of Body Horror in Modern
The Most Disturbing Definition Are Extreme Cinema Films Part of One Big Genre?
Issue 12: Trash, Exploitation and Cult Cerian Bawdy Comedy and Bad Taste That Sometimes Approaches Something Like the Avant-Garde Rally Cry “Épater La Bourgeoisie”
That Blood Is Real Because I Just Can't Fake It": Conceptualizing, Contextualizing, Marketing, and Delivering Gore in Herschell Gordon Lewis's Blood Feast
The Implementation and Emulation of Cult Movie Marketing
Meiermovies Feature Films by Star Rating
Godfather of Gore Herschell Gordon Lewis: 'Blood Feast' to Zombificador'
Transatlantica, 2 | 2015 Sex, Gore and Provocation: the Influence of Exploitation in John Waters’S Ear
History of the Motion Picture Main History of the Medium from the 19Th Century to the Present
Copyright by Lisa Marie Schmidt 2010
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