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» Henrik Galeen
Henrik Galeen
The German-Jewish Experience Revisited Perspectives on Jewish Texts and Contexts
Constructing Jewish Bodies in Germany Through Physical Culture and Racial Pseudo-Science
Angel Sings the Blues: Josef Von Sternberg's the Blue Angel in Context
The Astrological Imaginary in Early Twentieth–Century German Culture
Full Text In
After the Golem: Teaching Golems, Kabbalah, Exile, Imagination, and Technological Takeover
Shadow of the Vampire"
“Inner Landscapes” of the Hallucinatory: Intertextuality and Rebirth in Herzog's Nosferatu
9781474458139 Vampires in It
Herr Lubitsch Goes to Hollywood: German and American Film After World War I 2005
The Distribution, Censorship and Reception of German Films in Soviet Russia of the 1920S
The Silent Horror Film, 1896-1922: Narrative, Style, Context
UFA Film Nights Live on Berlin's Museum Island Again
Asta Nielsen
Herr Lubitsch Goes to Hollywo
The Mass Ornament: Weimar Essays / Siegfried Kracauer ; Translated, Edited, and with an Introduction by Thomas Y
Containing the Monster: the Golem in Expressionist Film and Theater Mia Spiro University of Glasgow
Der Golem Freut Sich Über Seinen Riesenerfolg«
Top View
Moma Weimar Cinema 1919-1933 Daydreams and Nightmares
Reproductive Imaginations in German Culture by Annika Orich A
Press Booklet UFA Film Nights 2021 in Berlin
3* Images Instytut Historii Im
The Vilna Troupe and the Rise of a Transnational Yiddish Art Theater Movement
The Culture of Viennese Jewry at the Fin De Siècle
Nosferatu. Eine Symphonie Des Grauens
Shell Shock Cinema Mourning the Dead
Two Nosferatus in Northeast Ohio with Organ Scores by Peter Richard
1897), Nosferatu (1922) and Shadow of the Vampire (2000
SPECIAL EFFECTS and GERMAN SILENT FILM Techno-Romantic Cinema Katharina Loew Special Effects and German Silent Film
The Fear of Death in Nosferatu – Eine Symphonie Des Grauens (1922)
Animation, Animism, Animosity in German Architecture and Film–— from Mies to Murnau