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Hans Pleydenwurff
A Cidade Real E Ideal: a Paisagem De Nuremberg Na Crônica De Hartmann Schedel E a Sua Concepção De Espaço Urbano
HNA April 11 Cover-Final.Indd
November 2012 Newsletter
A Moral Persuasion: the Nazi-Looted Art Recoveries of the Max Stern Art Restitution Project, 2002-2013
National Inventory of Continental European Paintings Report NIRP in the North – York City Art Gallery Dr
The Master of the Mediaş Altarpiece Painting: The
The Passion, Death and Ressurection Murals Painted Inside St. Matthias Church in Râșnov (1500)
Albrecht Dürer's “Oblong Passion”
On Why Hans Süss Von Kulmbach ‘Must’ Have Portrayed John Boner
Albrecht Dürer
The Wittelsbach Court in Munich: History and Authority in the Visual Arts (1460-1508)
A Case Study Determining the Nature and Extent of Lucas Cranach the Elder’S Involvement in His Industrious Workshop Using Image Processing
Are We Still Being Historical? Exposing the Ehenheim Epitaph Using History and Theory
Folia Historić Artium
On Why Hans Süss Von Kulmbach 'Must' Have Portrayed John Boner
Nature As Art's Supreme Guide: Dürer's Nature and Landscape Studies
Late Gothic Panels from the Collection of York Art Gallery: Predella-Wings from the Workshop of Hans Pleydenwurff
An Attribution for Two Late Gothic Central-European Panels, in English Public Collections, Depicting Episodes from the Life of St
Top View
Sensory Perception, Religious Ritual and Reformation in Germany, 1428-1564
A History of Painting
An Attribution for Two Late Gothic Central-European Panels, in English Public Collections, Depicting Episodes from the Life of St