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George Morland
Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN
The Artistic Approach of the Grieve Family to Selected Problems of Nineteenth Century Scene Painting
The Summer Exhibition 3
Xviiith Century English and French Prints in Colour : December, 1918
Historic Streets of London : an Alphabetical Handbook
Historic Streets of London: an Alphabetical Hand Book , Was Arrived at After Considerable of C an Thought
HAMPSHIRE WRITERS. Vice-Provost of Worcester College, Oxford
Drawing After the Antique at the British Museum
Hogarth His Life and Society
Old English Prints in Color 1916
The Treaty of Ghent
Old English Sporting Prints and Their History
Rabbits SOLD REF:- 204921 Artist: GEORGE MORLAND
John Linnell's Oil Painting, Gravel Pits, Exhibited at the British Institution in 1813 (Fig 1) Describes an Open Gravel Pit On
The Old Engravers of England in Their Relation to Contemporary Life and Art
Self Portrait
Handbook of the Dyce and Forster Collections in the South Kensington
Social Realism in Victorian Painting – Two Hour Lecture
Top View
Two Hundred Years of Women Benefactors at the National Gallery: an Exercise in Mapping Uncharted Territory
George Morland and the Making of the Modern Artist Francesca Bove
"The Language, of the Traffic": Colonial Slavery and Political Discourse in the Late Eighteenth Century Brinley Price
Information to Users
The Language of Painting in Nineteenth-Century English Fiction
BURNING BRIGHT Essays in Honour of David Bindman BURNING BRIGHT Essays in Honour of David Bindman
Byron and Visual Culture