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Georg Schrimpf
La Libertà Dell'astrazione Heinrich Maria Davring
Frühe Texte Die Jugend. Konditor Und Anarchist Die
Solomon R. Guggenheim Museum Teacher Resource Unit
Neue Sachlichkeit Neue Sachlichkeit (Or the New Objectivity) Was an Artistic Attitude That Arose in Germany in the 1920S in Reac
2015 International 02.10.2015 > 21.11.2015 Art Exhibitions 2015
Totalitarian Art and Modernity
Paths of Modernism. Art in Germany 1900–1945
How the Museum of Modern Art in New York Canonised German Expressionism
New Objectivity: Modern German Art in the Weimar Republic, 1919–1933
New Objectivity: Modern Art in the Weimar Republic, 1919–1933
The Italian Renaissance in American Gothic: Grant Wood and Piero Della
+44 (0)20 7491 9219
Stoecklin, Niklaus
Wilhelm Arntz Papers, 1898-1986
Left and Right: Politics and Images of Motherhood in Weimar Germany
Zum Download Als
The Blue Rider in the Lenbachhaus Munich Free Download
How New and How Objective?
Top View
2 Work List Histories of a Collection. 1933-1945
The Lenbachhaus
1925 Georg Schrimpf
Biography and the Educative: a Critical Examination of the Life and Artwork of Wilhelm Heinrich Otto Dix
Exhibition: New Objectivity: Modern German Art in the Weimar Republic, 1919–1933 on View: October 4, 2015–January 18, 2016 Location: BCAM, 2Nd Floor
Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933
New Objectivity: Modern German Art in the Weimar Republic, 1919–1933
Pressemitteilung