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Georg Friedrich Haas
Melody on the Threshold in Spectral Music *
Georg Friedrich Haas
ORPHEUS INSTITUUT GENT. Vom Hören. Alexander Moosbrugger Im Gespräch Mit Georg Friedrich Haas, Basel Der Text Ist Teil Einer R
Zoltán Béla Jenö Kurtág Ligeti Franz
Dramatic Structures in the Theatrical Music of Harry Partch and Manfred Stahnke
Department of Music Fall 2015 from the Chair
Pressetext Partituren Des Komponisten Georg Friedrich Haas
Georg Friedrich Haas: in Vain
Reinjection Loops and Historical Allusion in Georg Friedrich Haas's Live Electronic Music
Georg Friedrich Haas
Composer and Saxophonist Biography
Sound, Politics, Darkness and Sex Few Composers of Artistic
The Composer Marina Khorkova Lives and Works in Russia and Germany
Giacinto Scelsi Today
Whlive0053 Booklet
SPECTRALISMS 2O19
The 'Harmonic Series' Is an Artifact”: Ideology, Process and Perception in Georg Friedrich Haas's in Vain There Is No
Trapani, Christopher CV
Top View
Thesis DRAFT 2505 Post
Synergy of Form, Rhythm, and Orchestration in Three Microtonal Compositions
Georg Friedrich Haas Turns 60 on 16 August and We Celebrate His 1 Birthday with a Special Section
WILLIAM DOUGHERTY American Academy in Rome, Via Angelo Masina 5, 00153 Rome, Italy +1 (929) 269-2218;
[email protected]
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Clashing Harmonic Systems in Haas's Blumenstück and in Vain
Georg Friedrich Haas Article in IRCAM’S Base De Documentation Sur La Musique Contemporaine, 2014
Ivan Wyschnegradsky
Programs at the Conclusion of the Concert
Harrison Georg Friedrich Luciano Karol Arnold David Vykintas
Reinjection Loops and Historical Allusion in Georg Friedrich Haas's