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Gabriel Okara
Modern Poetry from Africa
Critical Commentary on Gabriel Okaraâ•Žs Postwar Ode, •Ÿthe
'The Mystic Drum': Critical Commentary on Gabriel Okara's
15910724175Ed5d6a122058.Pdf
Ezekiel Mphahlele: an Appreciation (1919-2008) by Ntongela Masilela
African Writers Meet in Uganda
Laligens, Vol
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Modern Poetry from Africa
Individualism and Community in the Novels of Ngugi Wa Thiong'o
Critical Commentary on the War Poems of Gabriel Okara Chukwuma Azuonye University of Massachusetts Boston,
[email protected]
'The White Man Laughs': Commentary on the Satiric Dramatic Monologues of Gabriel Okara Chukwuma Azuonye, University of Massachusetts Boston
Modern Nigerian Poetry and the Environment: an Ecocritical Study of Selected Poems of Tanure Ojaide, Niyi Osundare and Nnimmo Bassey
Ngugi Wa Thiong'o's Fight Against Colonialism and Neocolonialism ;An
Domestication of the English Language in Gabriel Okara's the Voice, Chinua Achebe
Gabriel Okara in Conversation with Professor Azuonye Chukwuma Azuonye, University of Massachusetts Boston
Towards the Evolution of an African Language for African Literature
The Representation of African Humanism in the Narrative Writings of Es’Kia Mphahlele
Top View
The Representation of African Humanism in the Narrative Writings of Es’Kia Mphahlele
Interviews with Contemporary Ugandan Writers
A Case for Tourism Development and Economic Empowerment in Bayelsa State, Nigeria
613007 Department of English Ii Ma English Literature Title of the Paper – African Literature in English Subject Code – 18Kp3eele4
Poetics of Pathos: Achebe's War
Ngugi Wa Thiong'o and the Africanization of English
Nativization of English in Nigerian Literary Texts: A
'The White Man Laughs': Commentary on the Satiric Dramatic Monologues of Gabriel Okara Chukwuma Azuonye University of Massachusetts Boston,
[email protected]
Themes of Alienation and African Humanism in the Works of Es'kia Hphahlele
Palm - Wine and Drinhards : African Literature and Its Critics
Academic Journal of Modern Philology
Chinua Achebe (1930-2013) and Home Goes the “Teacher of Light”29
The Dead End of African Literature?