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Exploitation film

  • Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs

    Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs

  • Why Call Them

    Why Call Them "Cult Movies"? American Independent Filmmaking and the Counterculture in the 1960S Mark Shiel, University of Leicester, UK

  • Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South

    Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South

  • Georges Bataille's Philosophy of Transgression and the Cinema Of

    Georges Bataille's Philosophy of Transgression and the Cinema Of

  • LAUREN BLISS the Cinematic Body in View of the Antipodes: Philip Brophy's Body Melt As the Bad Copy

    LAUREN BLISS the Cinematic Body in View of the Antipodes: Philip Brophy's Body Melt As the Bad Copy

  • “No Reason to Be Seen”: Cinema, Exploitation, and the Political

    “No Reason to Be Seen”: Cinema, Exploitation, and the Political

  • Arrow ​Gets Straight to the Point!

    Arrow ​Gets Straight to the Point!

  • Vision, Desire and Economies of Transgression in the Films of Jess Franco

    Vision, Desire and Economies of Transgression in the Films of Jess Franco

  • Download Reviews

    Download Reviews

  • The Exploitation of Film Heritage Works in the Digital Era

    The Exploitation of Film Heritage Works in the Digital Era

  • The Cultural Traffic of Classic Indonesian Exploitation Cinema

    The Cultural Traffic of Classic Indonesian Exploitation Cinema

  • Blaxploitation and the Cinematic Image of the South

    Blaxploitation and the Cinematic Image of the South

  • Cine-Excess 13 Delegate Abstracts

    Cine-Excess 13 Delegate Abstracts

  • Unseen Horrors: the Unmade Films of Hammer

    Unseen Horrors: the Unmade Films of Hammer

  • American Independent Cinema

    American Independent Cinema

  • Bakalářská Práce

    Bakalářská Práce

  • Cultural Materialism in the Production and Distribution of Exploitative Lesbian Film: a Historical Case Study of Children of Loneliness (1935)

    Cultural Materialism in the Production and Distribution of Exploitative Lesbian Film: a Historical Case Study of Children of Loneliness (1935)

  • The Functions of Apocalyptic Cinema in American Film

    The Functions of Apocalyptic Cinema in American Film

Top View
  • The Beast of Yucca Flats
  • Neo-Exploitation
  • The Contemporary American Horror Film Remake, 2003-2013
  • Japanese Cyberpunk-Body Horror and Cinema As Catharsis in the Age of Technology
  • Vermeer and Lucio Fulci's SETTE NOTE
  • A Genre Study of the Hypothetical Space Film
  • Movie Riffing at B-Fest: an Exploration of Unscripted In-Theater Audience Participation As Embodied Performance of Film Criticism
  • Reconceptualising Extreme Art
  • Cultural Borrowings: Appropriation, Reworking, Transformation
  • “Expect the Truth”: Exploiting History with Mandingo
  • Transatlantica, 2 | 2015 Exploiting Exploitation Cinema: an Introduction 2
  • American Martial Arts Movies and the Exploitation Film Tradition Andrew Willis, University of Salford, UK
  • Buzz Bombs: the Room, Snakes on a Plane and Cult Audiences in the Internet Era
  • Renaming Blaxploitation by Looking at Today's Film
  • Video Nasties’: Economics, Marketing
  • Mapping Informal Film Distribution
  • Streaming Italian Horror Cinema in the United Kingdom: Lovefilm Instant1
  • Robert Rodriguez and the Transformation of a Microbudget


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