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Exploitation film
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Why Call Them "Cult Movies"? American Independent Filmmaking and the Counterculture in the 1960S Mark Shiel, University of Leicester, UK
Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South
Georges Bataille's Philosophy of Transgression and the Cinema Of
LAUREN BLISS the Cinematic Body in View of the Antipodes: Philip Brophy's Body Melt As the Bad Copy
“No Reason to Be Seen”: Cinema, Exploitation, and the Political
Arrow Gets Straight to the Point!
Vision, Desire and Economies of Transgression in the Films of Jess Franco
Download Reviews
The Exploitation of Film Heritage Works in the Digital Era
The Cultural Traffic of Classic Indonesian Exploitation Cinema
Blaxploitation and the Cinematic Image of the South
Cine-Excess 13 Delegate Abstracts
Unseen Horrors: the Unmade Films of Hammer
American Independent Cinema
Bakalářská Práce
Cultural Materialism in the Production and Distribution of Exploitative Lesbian Film: a Historical Case Study of Children of Loneliness (1935)
The Functions of Apocalyptic Cinema in American Film
Top View
The Beast of Yucca Flats
Neo-Exploitation
The Contemporary American Horror Film Remake, 2003-2013
Japanese Cyberpunk-Body Horror and Cinema As Catharsis in the Age of Technology
Vermeer and Lucio Fulci's SETTE NOTE
A Genre Study of the Hypothetical Space Film
Movie Riffing at B-Fest: an Exploration of Unscripted In-Theater Audience Participation As Embodied Performance of Film Criticism
Reconceptualising Extreme Art
Cultural Borrowings: Appropriation, Reworking, Transformation
“Expect the Truth”: Exploiting History with Mandingo
Transatlantica, 2 | 2015 Exploiting Exploitation Cinema: an Introduction 2
American Martial Arts Movies and the Exploitation Film Tradition Andrew Willis, University of Salford, UK
Buzz Bombs: the Room, Snakes on a Plane and Cult Audiences in the Internet Era
Renaming Blaxploitation by Looking at Today's Film
Video Nasties’: Economics, Marketing
Mapping Informal Film Distribution
Streaming Italian Horror Cinema in the United Kingdom: Lovefilm Instant1
Robert Rodriguez and the Transformation of a Microbudget