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Enrico Baj
God and the Atom: Salvador Dalí's Mystical Manifesto and The
Maurice Allemand OR HOW MODERN ART CAME to SAINT-ÉTIENNE (1947-1966) a Story of the Collections / Nov
Art in Europe 1945 — 1968 the Continent That the EU Does Not Know
Re-Programmed Art an Open Manifesto
Il Gesto: Global Art and Italian Gesture Painting in the 1950S
Maurice Allemand Or How Modern Art Came to Saint-Étienne (1947-1966) a History of the Collections 30 November 2019 – 3 January 2021
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ARCIMBOLDO FACE to FACE I Z Z I R E B
The Artist and the Book in Twentieth-Century Italy
Enrico Baj “Art Is Freedom”
The Animate Object of Kinetic Art, 1955-1968
Enrico Baj, Patafísico, Y La Revalorización Del Ornamento
Enrico Baj: Play As Protest
Flashbacks and Eclipses in Italian Art in the 1960S
Annual Report 2018
Authenticity, Restoration, Forgery
Annual Report 1979
Arte Programmata and the Open Work, 1962
Top View
The Politics of the Transformable Work of Art
On the Road with Salvador Dali
Moderne, Publié Sous La Direction De MM
The Art and Politics and Asger Jorn
Paper Trail: Th
Fantastic Art, Dada and Surrealism at the Museum of Modern Art, New York, in 1936
Luxembourg & Dayan to Present the First New York
Philosophical Essays on Ugo Nespolo's Art and Cinema
LARA DEMORI Organicize Disintegration: from Nuclear Aesthetics to Interplanetary Art