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Ellis Carver
Why Every Show Needs to Be More Like the Wire (“Not Just the Facts, Ma’Am”)
The Wire the Complete Guide
Crime, Class, and Labour in David Simon's Baltimore
Drug Markets, Fringe Markets, and the Lessons of Hamsterdam Lance Mcmillian
1 'It Can't Be a Lie': the Wire As Breaching Experiment Joshua
The Black Image in the White Mind: Educational Consequences of Media Racism
Drug Markets, Fringe Markets, and the Lessons of Hamsterdam
Why Every Show Needs to Be More Like the WIRE
Critical Response I Wired
New York City's War on Drugs at 40
They Gon' Study Some [Things]
Of African American Male Students in Season Four of the Wire
Eract and Engage with Reality
The Wire and the Limits of Empathy
Transcript Panel Discussion
Gender, Genre, and Seriality in the Wire and Weeds
The Fulfulde:Pulaar Provenance of Jaav
Thewire Race, Class, and Genre
Top View
The Museum of Television & Radio
Name of Course Soc
Communitarianism and 'The Wire' Chad Painter University of Dayton,
[email protected]
The Wire and the Teaching of American Politics Dr. Mark Wheeler
Lewis County Heraldt
On the Corner
“Good Police” the Wire's Major Crimes Unit As a Melodramatic Space of Innocence
From Rationalism to Realism in the Wire