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Dai Jin
Painting Inscriptions As Enduring Objects
Sesshū Tōyō's Selective Assimilation of Ming Chinese
Painting and Culture in Ming China
Paintings of Zhong Kui and Demons in the Late
Chinese Art 4. the Ming Dynasty
Ming China: Courts and Contacts 1400–1450
The Relationship Between Soundscape and Chinese Culture -- a Case Study of the West Lake Scenic Area
Wu Wei (1459-1508) Andluzhi (1496-1576): the Urban Hermitage
Economic Factors Led to the Fall of Jin Dynasty : Focus on the Economic Effects After Relocation of Capital to Kaifeng
Language, Script, and Art in East Asia and Beyond: Past and Present
The Mountain Man of Xinluo Full Article Language: En Indien Anders: Engelse Articletitle: 0
The Royal Collection of Imperial China Series
Download Article
The Role of Japan in Modern Chinese Art Edited by Joshua A
Chapter 2 the Production of Painting Inscriptions in Social Networks and Reciprocities
The Cultural Lineage in the Field of Chinese Art Manifesting on Dong Qichang’S Work
UTET MING-QING English
Chinese Art and Festival Display
Top View
Zhang Dai (1597-1680?) and His Writings in the Ming- Qing Transition Period Wenjie Liu University of Massachusetts Amherst