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Curtis Roads
Navigating the Landscape of Computer Aided Algorithmic Composition Systems: a Definition, Seven Descriptors, and a Lexicon of Systems and Research
Syllabus EMBODIED SONIC MEDITATION
62 Years and Counting: MUSIC N and the Modular Revolution
The Path to Half Life
Eastman Computer Music Center (ECMC)
43558913.Pdf
Expressive Musical Robots : Building, Evaluating, and Interfacing with An
Composing with Process
An Interview with Max Mathews
Composing with Encyclospace: a Recombinant Sample-Based
Implementing Real-Time Granular Synthesis Ross Bencina Draft of 31St August 2001
X an ANALYTICAL APPROACH to JOHN CHOWNING's PHONÉ Reiner Krämer, B.M. Thesis Prepared for the Degree of MASTER of MUSIC UNIV
Expressive Sampling Synthesis. Learning Extended Source-Filter Models from Instrument Sound Databases for Expressive Sample Manipulations Henrik Hahn
Jean-Claude Risset to Compare the Playing of the Pianist Own Research Led Him to Successfully (1938–2016) to a Sporting Act
Wheeler Dissertation Formated
Computer Music Modeling and Retrieval
Professor Curtis Roads
Kahn (Endnotes)
Top View
C. Roads Computer Music Journal, Vol. 2, No. 3. (Dec., 1978
Earth Sound Earth Signal
Gary Lee Nelson Vita 2012
Algorithmic Musical Composition
MUSIC 507: Studies in Music History Dr. Margaret Schedel
[email protected]
Description
The Electroacoustic Music of Horacio Vaggione Curtis Roads
03 Electronic Music Student Copy
The Computer Music Tutorial
The Computer Music Tutorial, 0262680823, 9780262680820, Curtis Roads
Borderlands: an Audiovisual Interface for Granular Synthesis
From Grains to Forms
Effusions of Fancy: an Exploration Into Improvisatory Live Computer Performance
2.1 Performance in Electronic Music and the Notion of Liveness
Resynthesized It Using Granular Techniques
Automated Composition in Retrospect: 1956-1986 Author(S): Charles Ames Source: Leonardo, Vol
Curtis Roads, Ed. the Computer Music Tutorial
Interview with Curtis Roads
MODULAR SYNTHESIS Spring 2017
Musical L-Systems
Transcoding Nancarrow at the Dawn of the Age of MIDI 33