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Cornelis de Vos
SIMON DE VOS (1603 – Antwerp – 1676)
Gemäldegalerie Der Akademie Der Bildenden Künste
Julius S. Held Papers, Ca
Dutch and Flemish Art in Russia
Diagnosing in Art
2018 Recent Acquisitions
A Mediated Presence: Uncovering Nietzsche in Art History from Its Foundations to Contemporary Anglo-American Curricula
Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland by Elizabeth Mcfadden a Dissertatio
(1595-96) and David with the Head of Goliath
Paul Devos Biography
The Bold and the Beautiful
Luc Tuymans on Baroque 01.06–16.09.2018
Ground Layers in European Painting 1550–1750
MADRID, CAPITAL DE LA PINTURA FLAMENCA La Fundación Carlos De Amberes Abre Un Nuevo Museo Dedicado a Los Mejores Artistas % Amencos Y Holandeses
Uva-DARE (Digital Academic Repository)
Luc Tuymans on Baroque 01.06–16.09.2018 EN
November 2005 Journal
Rafaelvalls-2014-Acquisitions 1.Pdf
Top View
Simon De Vos (1603-1676) - the Samson Arrest
Frans Snyders
Cornelis De Vos Oil Paintings
The Snijders&Rockox House
Rubens. Royal Portraits", at the Musée Du Luxembourg from the 4St of October 2017 to the 14St of January 2018
A Suggested New Attribution of Seventeenth-Century Flemish Portrait of a Lady in York Art Gallery to Jan Cossiers
Gallery Guide (Pdf)
The Decorations for the Pompa Introitus Ferdinandiin Antwerp
La Temática Mitológica Báquica En Las Pinturas De Las Colecciones Reales De Felipe IV En El Museo Del Prado
JOURNAL of EURASIAN STUDIES Volume IV., Issue 2
Van Dyck, Rubens, and the Status of Portraiture Adam Eaker Submitted
November 2013 Newsletter
April 2006 Journal
With a Little Help from His Friends Rubens and the Acquisition of Caravaggio’S Rosary Madonna for the Dominican Church in Antwerp
Dear Friends, in This Month of February the Gallery