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Controllerism

  • Cue Point Aesthetics: the Performing Disc Jockey In

    Cue Point Aesthetics: the Performing Disc Jockey In

  • Controllers As Musical Instruments, Controllerism As Musical Practice

    Controllers As Musical Instruments, Controllerism As Musical Practice

  • Politics of Musical Interfaces: Ideologies and Digital Disenchantment Enrique Tomás Interface Culture Lab - University of Art and Design of Linz Enrique.Tomas@Ufg.At

    Politics of Musical Interfaces: Ideologies and Digital Disenchantment Enrique Tomás Interface Culture Lab - University of Art and Design of Linz [email protected]

  • Proceedings Template

    Proceedings Template

  • S-Notation: a Complete Musical Notation System for Scratching and Sample Music Derived from

    S-Notation: a Complete Musical Notation System for Scratching and Sample Music Derived from "Theory of Motions"

  • MINE Progettazione Di Un Controller Modulare Per Dj Studente

    MINE Progettazione Di Un Controller Modulare Per Dj Studente

  • Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill

    Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill

  • Dancecult 6(1)

    Dancecult 6(1)

  • Read PDF # Djing

    Read PDF # Djing

  • The Dj As Critic, “Constructing a Sort of Argument”

    The Dj As Critic, “Constructing a Sort of Argument”

  • Modular Synthesis to Digital Artifacts, Current Practices in Computer Music

  • Consonance at the Intersection of Composition and Performance

    Consonance at the Intersection of Composition and Performance

  • Der Godfather of Controllerism: Moldover Matt Moldover Gilt Als Pionier Der Kreativen

    Der Godfather of Controllerism: Moldover Matt Moldover Gilt Als Pionier Der Kreativen

  • The Interface-Score Electronic Musical Interface Design As Embodiment of Performance and Composition

    The Interface-Score Electronic Musical Interface Design As Embodiment of Performance and Composition

  • Musikmesse and Prolight + Sound 2019: Sample Music Festival Area

    Musikmesse and Prolight + Sound 2019: Sample Music Festival Area

  • Music Technology and the Hip Hop Beat Making Tradition: a History and Typology of Equipment for Music Therapy

    Music Technology and the Hip Hop Beat Making Tradition: a History and Typology of Equipment for Music Therapy

  • Theory of Motions -Abstract Volume 1- Alexander Sonnenfeld

    Theory of Motions -Abstract Volume 1- Alexander Sonnenfeld

  • Authenticity and Liveness in Digital DJ Performance

    Authenticity and Liveness in Digital DJ Performance

Top View
  • S-Notation: a Complete Musical Notation System for Scratching and Sample Music Derived from “Theory of Motions”
  • MINE Progettazione Di Un Controller Modulare Per Dj Studente
  • The Implications of Technology on Music Composition and Performance
  • The Attitudes of Djs
  • Moldover Vs. Traktor Kontrol F1, in Live Sampling-Mash Mayhem [Videos]
  • Rock-The-Dancefloor-By-Phil-Morse
  • Improvisatory Poetics and Digital DJ Interfaces1
  • Dancecult: Journal of Electronic Dance Music Culture, Vol 3, No 1
  • THE DJ TEST DISCOVER YOUR DJ SCORE and Find out Exactly How You Can Become a Better DJ CONGRATULATIONS on TAKING the DJ TEST
  • Listening with Hands Takuro Mizuta
  • Turntablist Performance Practice
  • S-Notation: a Complete Musical Notation System for Scratching and Sample Music Derived from “Theory of Motions”
  • A Conversation with Dr. Mark V. Campbell


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