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Der Godfather of Controllerism: Moldover Matt Moldover Gilt Als Pionier Der Kreativen

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Der Godfather of Controllerism: Moldover Matt Moldover Gilt Als Pionier Der Kreativen SPEZIALBEAT Workshop: DigitalDJing Beat DJ-Talk Der Godfather of Controllerism: Moldover Matt Moldover gilt als Pionier der kreativen Beat / Erzähle uns von deinem musikalischen Werdegang. Controller-Verwendung und Schöpfer der Moldover/ Schon als Kind habe ich davon geträumt, ein Rockstar Disziplin „Controllerism“. Dem US-Amerikaner zu werden. Ich habe mir selbst das Gitarrespielen und Songschrei- gelang es hierbei, Performance-Elemente ben beigebracht und Demos mit einem Vierspur-Rekorder aufge- DJ-Setup nommen. Während meiner Schul- und Studienzeit spielte ich in aus verschiedenen musikalischen Genres vielen verschiedenen Bands und siedelte anschließend nach New erfolgreich zu einem neuen Live-Konzept zu Mojo York um, um meine Karriere zu starten. Nachdem es beim Spielen in Bands immer wieder zu zwischenmenschlichen Problemen kam, verschmelzen. Im Mittelpunkt stehen selbst Moldover verwendet einen MIDI- Controller namens Mojo, den er beschloss ich etwas komplett Neues zu versuchen. entworfene Controller, die er wie Instrumente selbst entworfen hat. Der Cont- spielt. Beat sprach mit Moldover über den Start roller hat zehn berührungsemp- Beat / Du gilst als der Erfnder des „Controllerism“ … fndliche Touchstrips, 24 Spiel- seines musikalischen Lebens, Controllerism und automaten-Tasten, gummierte Moldover/ Controllerism entwickelte sich aus meiner besonderen Drehregler, Fader und Schalter. Art, aufzulegen. Bei meinem ersten Projekt als Solokünstler habe Studio-Equipment. Die Stromversorgung und Kom- ich mit Ableton Live gearbeitet und vielschichtige Remixe und munikation mit einem Computer Mashups aus unterschiedlichen Musikstilen zusammengemischt. fndet über einen USB-Anschluss statt. Das waren unglaublich komplexe Mixe, die ich bis zu fünf Stunden wertige Bauteile und DJ-Fader, Touchstrips und Spielautomaten- http://blog.60works.com/mojo am Stück live zusammengestellt habe. Die Leute, die technisch ver- Taster verwenden. Da es nach meinen Gigs mit dem Mojo-Proto- 1990 US-Dollar standen, was hinter meinen Auführungen steckte, waren davon typen viele Kaufnteressenten gab, habe ich mit meinen Freunden sehr beeindruckt. Eigentlich habe ich damit die Zutaten von DJs von 60-Works Controller eine kommerzielle Variante des Mojo Robocaster und Turntable-Artists mit der neusten Software und selbst gebau- gebaut, der in kleiner Aufage verkauft wird. Robocaster ist eine MIDI-Cont- ten Controllern neu zusammengesetzt. Die Leute, die sich nicht roller-Gitarre, die neben der Ton- erzeugung auch die Steuerung für die Technik interessierten, also leider die meisten, dachten, Beat / Welches Equipment benutzt du für deine Live-Auftritte? von Softwareprogrammen über- ich würde einfach nur fertige Mixe und Produktionen spielen, so Moldover/ Für meine live Gigs verwende ich die Controller- nimmt. Insgesamt stehen neun- wie es andere DJs auch machen. Das hat mich geärgert und daher Gitarre „Robocaster“, die ich gemeinsam mit Visionary Instru- zehn zuweisbare MIDI-Bedien- wollte ich einen neuen Begrif prägen, der eine innovative Kunst- ments entworfen habe. Robocaster ist eine elektrische Gitarre mit lemente zur Verfügung, die sich aus fünf Spielautomaten-Tasten, form beschreibt und junge DJs für neue Möglichkeiten begeistert. einem Arduino-basierten [1] MIDI-Controller. Mir gefällt dabei das einem Joystick, Fadern, Drehre- Konzept der Verschmelzung eines traditionellen Instruments mit glern und Schaltern zusammen- Beat / Was unterscheidet DJing und Controllerism? neuen Komponenten, da ich gelernter Musiker bin. Zusätzlich ver- setzen. Ein USB-Kabel mit einer Moldover/ Controllerism ist sehr techniklastig. Künstler, die diese wende ich einen noch namenlosen Prototypen, der ein Stimmen- Neutrik-Verriegelung sorgt für einen sicheren Halt. Disziplin ausüben, sind technikafn und möchten ihr Setup stän- efektgerät steuert. Zusammen mit dem Mojo habe ich genü- www.visionaryinstruments.com dig verändern und erweitern. Neue Technologien öfnen bis dato gend Geräte, um mein Publikum zu unterhalten. Ich habe auch 2799 US-Dollar unbekannte Wege und Möglichkeiten. Das ist sehr spannend, wird noch ein Ersatzgerät im Gepäck, den Guitar Wing. Dieser wird bald aber auch leider von einigen etwas überbewertet und dabei die im Laden erhältlich sein und basiert auf dem Gitarren-Controller- Live & Guitar Rig Musik vernachlässigt. Beim DJing geht es eher um Aufegetech- Konzept. Er lässt sich aber als mobiles Gerät mit einer beliebigen Die Robocaster-Gitarre wird mit niken, also Fertigkeiten und Skills wie Scratchen und die musikali- Gitarre kombinieren. Voreinstellungen für Ableton Live und Guitar Rig von Native Inst- sche Auswahl. Viele DJs möchten ihr Setup daher nicht durch tech- ruments ausgeliefert. Auf diese nologische Entwicklungen verändern. Beat / Lass uns mal einen Blick in dein Studio werfen … Weise lassen sich die Efekte der Moldover/ In meinem Studio verwende ich viel Software von iZo- Software fernbedienen und das Beat / Du hast sogar einen eigenen Controller gebaut? tope, vor allem das Restaurations-Tool RX. Zudem bin ich gro- Gitarrensignal in Echtzeit durch die Software-Efekte jagen. Moldover/ Ich arbeite sehr gerne mit Software, weil das so viele ßer Fan von Reaktor und Guitar Rig. Ich schreibe meine Songs mit www.ableton.com, www.native- verschiedene Möglichkeiten bietet. Als ich 2003 angefangen Ableton Live, produziere sie aber mit Cubase aus. Ich nutze in jeder instruments.de habe Ableton Live mit Reaktor von Native Instruments zu kom- Produktion die Plug-ins der UAD-Plattform. Zur Steuerung der binieren, um mein eigenes Software-System zusammenzustel- Software habe ich eine ganze Reihe an Controllern von Ableton, Shure SM58 len, wurde mir klar, dass die Hardware der limitierende Faktor ist. Novation, Livid Instruments und Vestax. Als Soundkarte kommt Das Shure SM58 ist weltweit Damals gab es so gut wie keine bezahlbaren Controller. Aus die- eine RME UCX zum Einsatz, die klingt super und ist zuverlässig. eines der bekanntesten Büh- nenmikrofone, das viele Künst- sem Grund habe ich angefangen, aus fertigen Controllern neue Zum Abhören benutze ich In-Ear-Monitore von Ultimate Ears, die ler wegen seines besonders kla- Instrumente zu basteln. Durch das viele Reisen gingen diese lei- eigentlich für die Bühne gedacht sind, aber auch im Studio super ren und druckvollen Klangbilds der schnell kaputt. Das war der Grund, den „Mojo“-Controller zu funktionieren. Als Boxen habe ich mir neulich ein paar neue Adam schätzen. Moldover nutzt es für bauen. Ich wollte ein Gerät bauen, das stabil und einfach zu repa- A77X bestellt, die aber leider noch nicht eingetrofen sind. Gesangseinlagen und verfremdet seine Stimme mit Efekten. rieren ist. Das Layout sollte ähnlich sein wie ein Fünfanalmixer, www.shure.de | 121 Euro aber einfacher zu bedienen und fexibler. Zudem wollte ich hoch- www.moldover.com | www.controllerism.com 30 beat 09 | 2014 [1] http://www.arduino.cc.
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