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Conductus
Early Fifteenth Century
PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble
The Aquitanian Sacred Repertoire in Its Cultural Context
Chapter 2: Secular and Cathedral Music in the High Middle Ages I
New Oxford History of Music Volume Ii
Contents and Sample Pages (PDF)
The Plica and Liquescence David Hiley / London It Is the Purpose Of
EXPLANATION 1.8 : the 13Th CENTURY: the MEDIEVAL MOTET 1
01, Mostly Sheds Light on Northern-French and Partly German Repertoires, Leaving the Question of the Occitan Tradition Still Open
Theory. the Abstract Principles Embodied in Music and the Sounds of Which It Consists
Medieval Terms
Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique (For Ernest Sanders)
Polyphony at Notre Dame and in the 13Th Century
Early Cistercian Polyphony: a Newly-Discovered Source *
University of Southampton Research Repository Eprints Soton
Medieval Music©[
"Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, 1050-1350" by John Stevens Hans Tischler
Sound and Space in Twelfth-Century Notre-Dame of Paris
Top View
Music History Timeline
Interpretations of the Carmina Burana Clare
Manuscripts and Medieval Song : Inscription, Performance, Context / Edited by Helen Deeming and Elizabeth Eva Leach
Escholarship@Mcgill
History Study Guide
Singing to Another Tune”: Contrafacture and Attribution in Troubadour Song
Medieval Music]
Chapter 2: Secular and Cathedral Music in the Middle Ages: Ca