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Coco Fusco

  • Sabbatical Leave Report 2019 – 2020

    Sabbatical Leave Report 2019 – 2020

  • THE COUPLE in the CAGE: a Guatinaui ODYSSEY RUTH BEHAR and BRUCE MANNHEIM

    THE COUPLE in the CAGE: a Guatinaui ODYSSEY RUTH BEHAR and BRUCE MANNHEIM

  • Fresh Meat Rituals: Confronting the Flesh in Performance Art

    Fresh Meat Rituals: Confronting the Flesh in Performance Art

  • Introduction to Art Making- Motion and Time Based: a Question of the Body and Its Reflections As Gesture

    Introduction to Art Making- Motion and Time Based: a Question of the Body and Its Reflections As Gesture

  • An Feminist Intervention 1

    An Feminist Intervention 1

  • In Chelsea, a Trio of Galleries Bring Cuba Stateside,” T: the New York Times Style Magazine, January 19, 2016

    In Chelsea, a Trio of Galleries Bring Cuba Stateside,” T: the New York Times Style Magazine, January 19, 2016

  • The Other History of Intercultural Performance Coco Fusco

    The Other History of Intercultural Performance Coco Fusco

  • Transcultural Performance Art, Political Intention, and the Aesthetic

    Transcultural Performance Art, Political Intention, and the Aesthetic

  • Artforum Fusco January 30, 2007

    Artforum Fusco January 30, 2007

  • Black Audio Film Collective

    Black Audio Film Collective

  • The Screen As a Site of Division and Encounter

    The Screen As a Site of Division and Encounter

  • March 2008 Caa News

    March 2008 Caa News

  • Curriculum Vitae

    Curriculum Vitae

  • Artnet News 26 December 2019 What Was the Most Influential Work Of

    Artnet News 26 December 2019 What Was the Most Influential Work Of

  • Exploring Student Perceptions of Intro to IR Course Content

    Exploring Student Perceptions of Intro to IR Course Content

  • The Human Zoo As (Bad) Intercultural Performance Karel Arnaut

    The Human Zoo As (Bad) Intercultural Performance Karel Arnaut

  • At the Havana Biennial, the Art Is Politics ... and Vice Versa

    At the Havana Biennial, the Art Is Politics ... and Vice Versa

  • Shipley, Review of Against Our Will

    Shipley, Review of Against Our Will

Top View
  • Moma SYMPOSIUM to EXPLORE the RELATIONSHIP BETWEEN ART and GENDER
  • Martha Rosler's Photomontages and Garage Sales
  • Graduate Programs
  • Trauma Rite As Personal Exhibition and Public Exposition
  • For the Record: Making and Documenting Performance
  • A Thesis Exhibition and Supporting Paper Presented to the Ontario
  • Publicworks Web-Xjkl.Pdf
  • 1 Art As a Social Act: Interventions in the Public Sphere ART 6933 3
  • 'Girls Say Yes to Boys Who Say No': Four
  • Chronology of Film and Video Exhibitions at the Long Beach Museum of Art, 1974-1999 Compiled by Kathy Rae Huffman
  • Performative States Coco Fusco in Conversation with Stephanie Bailey
  • Coco Fusco​ Is an Interdisciplinary Artist and Writer
  • The Vicissitudes of Conduct Daniel R Quiles
  • Re-Envisioning Art, Technology and Nature Conference EXHIBITION FALL PROGRAMS September 19 – 24, 2012 September 20, 2012 – January 6, 2013 September – December, 2012
  • Art and Artists' Responses to Gender, Armed Conflict and Human Rights
  • Women, Art, and Technology
  • Shanks Full Dissertation
  • Fantastic Reconstruction: Postcolonial Artists and the Colonial Archive


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