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Cipriano de Rore
High School Madrigals May 13, 2020
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Guillaume De Machaut Coronation Anthems Remede De Fortune
GUILLAUME De MACHAUT Remede De Fortune/ a Remedy for Fortune
Performance Practice in the Seconda Prattica Madrigal Author(S): Rinaldo Alessandrini Source: Early Music, Vol
16Th Century
THE TALLIS SCHOLARS Vocal Ensemble
Chapter 6: After Perfection: Pressures for Change
Music in the Pavilion: Piffaro: the Renaissance Band
Western Culture Has Roots in Ancient
Album Booklet
MUH 6671, Seminar in Renaissance Music, Spring 2020 T Periods 7 - 9 (1:55–4:55 Pm)
The Secular Latin-Texted Works of Adrian Willaert
Adrian Willaert's "Musica Nova" Selected Motets: Editions and Commentary
Music in the 16Th Century
Tallis Scholars Department of Music, University of Richmond
THE ITALIAN MADRIGAL the Sixteenth-Century Italian
Lecture 21 Outline: Madrigal and Drama in Late Sixteenth-Century
Top View
Kennesaw State University School of Music Division of Music History
Musical Development: Evidence of the Influence of Humanism on Music in the Renaissance
The Folger Consort
Miller Theatre's Early Music Series Presents New York Polyphony
Wedding of 1568 Wilhelm V, “The Pious” (Portrait by Hans Von Aachen), and Renata (Aka Renée) of Lorraine a Well-Documented Wedding: Feb 22, 1568
Guide to Early Music and Baroque
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Representation, Emotion, and the Madrigal in Sixteenth-Century Italy
Ornamented Intabulations and Derived Fantasias: Parody, Imitatio, and Genre in Vincenzo Galilei's Lute Arrangments of Alessand
Chapter 5: a Perfected Art: Church Polyphony in the Late Fifteenth and Sixteenth Centuries
Cappella Pratensis
CIPRIANO DE RORE (1515/16-1565) • I Madrigali a Cinque Voci (Venice, 1542)
2717.Pdf (2.155Mb)
A GENTLEMAN's LUTE BOOK: the TABLATURE of GABRIELLO FALLAMERO Joel Newman
The Four-Voice Madrigals
Purcell's Roots
WOU Early Music Ensemble
Collegium Musicum 2013–14 Season Tuesday 19 November 2013 207Th Concert Dalton Center Recital Hall 7:30 P.M
MUS8A: Music History Study Guide for Test 2 What Is Covered: Part Two