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Cheironomy
An Investigation of Dalcroze-Inspired Embodied Movement
Memory, Music, Epistemology, and the Emergence of Gregorian Chant As Corporate Knowledge
The History of the Conducting Gesture Is
The "Unwritten" and "Written Transmission" of Medieval Chant
Thesis Submitted in Partial Fulfilment of Requirements for the Degree of Doctor of Musical Arts
Students at the Symphony
The Choral Conductor As Bard in Motion Tram N
The Origins of Western Notation
27Th World Conference of the International Society for Music Education 16-21 July, 2006 Kuala Lumpur, Malaysia Sentuhan
The Common Javanese Cipher Notation (The Kepatihan Notation from Solo)
The Maestro Myth – Exploring the Impact of Conducting Gestures on the Musician’S Body and the Sounding Result
Modelling Effective Choral Conducting Education
Formularity and Formal Structure in the Old Beneventan Chant
Journal of Synagogue Music Fall 2013 Volume 38 Traditions This Is the Inside Front Cover
100 Chants: a Resource for Choral Practice and Performance
Soundpainting Sign Language: Possibilities and Connections with Tactileology
Music and Leadership: the Role of the Conductor
6.5 X 11 Double Line.P65
Top View
An Evaluation of Orchestral Conducting Teaching Methods
© in This Web Service Cambridge University Press
UNIVERSITY of CALIFORNIA Santa Barbara The
Expressive Conducting Gestures
Towards a Theory of Musical Reproduction
Sacred Music Volume 127 Number 2
Conducting: How It Came to Be Kim M
17. from Earth to Heaven: the Changing Musical Soundscape of Byzantine Liturgy!
From Neumes to Notes: the Evolution of Music Notation
James Macmillan's Miserere