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Borlet
TRECENTO FRAGMENTS M Ichael Scott Cuthbert to the Department Of
H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail:
[email protected]
Website: Lawrence H
CIM/CWRU Joint Music Program Wednesday, Octoberdecember 5, 7,2016 2016
JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244
[email protected]
A New Look at Ars Subtilior Notation and Style in the Codex Chantilly, Ms. 564
Program Notes Silent Films Were Never Meant to Be Silent; They Were Intended to Be Performed with Musical Accompaniment
20Th-Century Repertory
Apel, Willi/ French Secular Music of the Late Fourteenth Century. Edited
UNIVERSITY of OREGON • SCHOOL of MUSIC Vielle with Margriet Tindemans
10A Fuller CD Labels
L'obra De Guillaume De Machaut En El Manuscrit Mòdena
Xerox University Microfilms 76-3446 HEHRER, Karen Fox, 1944- a HISTORY of the VIRELAI from ITS ORIGIN to the MID-FIFTEENTH CENTURY
De Zonnegod Van De Pyreneeen: Gaston Febus (1331-1391)
THE MANUSCRIPT PARIS, BIBL. NAT., NOUV. ACQ. FRЗ. 6771 (Codex Reina =
The Captive Scribe, Part 1
Rethinking Ars Subtilior: Context, Language, Study and Performance
2021 PROGRAM Download the Document
Heraldry in the Trecento Madrigal
Top View
DOMENICO SCARLATTI the Well-Tempered Scarlatti Mario Martinoli, Harpsichord
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-3178
Orí Harmelin Lute Szilárd Chereji Viella Elodie Wiemer Recorders
Fumeur' Poetry and Music of the Chantilly Codex: a Study of Its Meaning and Background
TREBOR EN ARAGÓN Y NAVARRA Maricarmen Gómez Muntané
Spielpläne Oberstufe
Rethinking Ars Subtilior: Context, Language, Study and Performance
Voir Le Programme
SAMPLE PROGRAM—NOT for CONCERT USE the Hunchback of Notre Dame Lon Chaney's 1923 Silent Film with a Cont