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Blood of Dracula
Sexuality, Blood, Imperialism and the Mytho-Celtic Origins of Dracula
The Dracula Film Adaptations
Blood and Images in Dracula 2000
Guide
Magazine Media
Unseen Horrors: the Unmade Films of Hammer
Here There Be Monsters an Environmental Art Show by Laura & Gary Dumm Bayarts - Diane Boldman Education Gallery Opening Oct
Download the Digital Booklet
For More Than Seventy Years the Horror Film Has
Colonial Hybridity and Irishness in Bram Stoker's Dracula Kristy Eve Snow
Dracula in the Comics
Sample File Night's Black Agents THRILL OF
Revisiting Stoker's Dracula: No Brave Good Villains Left
Adaptable Monsters: the Past, Present, and Future of the Vampire
Creature of the Night: the Changing Image of Dracula
Re-Reading the Vampire from John Polidon to Anne Rice: Structures of Lmpossibility Among Three Narrative Variations in the Vampinc Tradition
Representations of the Soul in Contemporary Vampire Film and Television
Dracula in the Comics
Top View
A Senior Moment Newsletter October 2010
Copyrighted Material
VAMPIRES from BOOKS to FILMS Andre Marc Strumer University of Southern Mississippi
SLAV-T230 Vampire F2018 Syllabus-Holdeman-Draft
Vampire Legends in Contemporary American Culture: What Becomes a Legend Most
Literary Lustre in Cradle of Filth's Wintry Romances
Dracula on Film, 1931 - 1959
To View Laura and Gary's Book About Their Environmental
A New Significance of Blood As a Symbol for Both Contagion and Salvation in the Underworld Films
The Colonization of Quincey Morris: the American Other in Bram Stoker's Dracula
Slides Week 2
Ambivalent and Shifting Codes of Fear and Desire In
Universidade Federal De Santa Catarina Centro De Comunicação E Expressão Programa De Pós-Graduação Em Inglês: Estudos
Samuel Z. Arkoff Papers
PDF Download the Films of Terence Fisher
The Ledger and Times, February 14, 1959