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Astor Pictures

CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
Cablelabs Studio Code List 05/01/2006
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
Note to Users
Postclassical Hollywood/Postmodern Subjectivity Representation In
RENTRAK Worldwide Film Distributors
Two Story-Line Cineramas Set to Go; Mastermindwhich Oughta Go Out
Boxoffice Barometer (April 15, 1963)
Guide to the William K
1961-62 Year Book Canadian Motion Picture Industry
An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
History of Cinema
Read It Here
The Need for Crime and Punishment in Contemporary Film
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Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
The Exhibition of Independent Art Films
Third Cinema in the United States, 1960-67

Top View

An Odyssey Film Clip Index
Film19-2.Chp:Corel VENTURA
The FIAF Cataloguing Rules for Film Archives
PUBLIC the Ultimate Movie A
Literature and Book Arts
Jacqueline Stewart on the Politics of Film Preservation: Selected Filmography
A Giant Screen Safari in One of the Most Beautiful Wildlife Reserves on Earth: the Okavango Delta
Oscar Micheaux's Cinematic Legacy
Cinematic Childhood(S) and Imag(In)Ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film

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