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Angelica and Medoro
Sixteenth-Century Spain Was a Propitious Site to Carry out Discovery
Renaissance and Reformation, 1978-79
Machiavelli and Ariosto: Language, Power, and the War of Words Rosanne H
Alcina Rediviva. Transformations of an Enchantress in Early Librettos«
Angelica Kauffmann, R.A., Her Life and Her Works
Ludovico Ariosto's Orlando Furioso, the Thousand and One Nights, and the Hundred and One Nights
Desire in the Renaissance: Psychoanalysis and Literature
The French Venus
Boiardo and Ariosto in Contemporary Sicilian Puppet Theater and the Tuscan-Emilian Epic Maggio
SILENCE and the FEMALE VOICE in the ORLANDO FURIOSO by Monica
Händel Complete Opera
Handel's Ariostan Heroines: with Particular Reference to Ginevra
Orlando, Donald, and Dylan Dog Two Comic Book Adaptations of Ariosto’S Orlando Furioso
Roman at the Dawn of the 71 Enlightenment 4 Continuities: the Medieval As Performance 107 5 Reconfigurations: Medievalism and Desire, Betweeneros and Agape 145
UNIVERSITY of VAASA Faculty of Philosophy English Studies Sirkku
Angelica and Medoro
The Dissemination of Orlando Furioso
Arabeschi.It N
Top View
Notes on Orlando by Andrew Porter
Vivaldi Program 11.17.Indd
Orlando Amore
The Substance of Sicilian Puppet Theater Past and Present
Questioning Poetry in Ariosto's Negromante
Angelica and Medoro, Painting by the Roman School of the Sev
Angelica. Libretto by PIETRO METASTASIO, First Set by Nicola Porpora (1720, Naples)