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  • »  Affective memory

Affective memory

  • Blurred Lines Between Role and Reality: a Phenomenological Study of Acting

    Blurred Lines Between Role and Reality: a Phenomenological Study of Acting

  • Emotion, Action and the Journey of Feelings in the Actor's Mournful

    Emotion, Action and the Journey of Feelings in the Actor's Mournful

  • The Role of Stanislavsky and the Moscow Art Theatre's 1923 And

    The Role of Stanislavsky and the Moscow Art Theatre's 1923 And

  • Day 11 Self Observation

    Day 11 Self Observation

  • Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon

    Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon

  • An Actor Remembers: Memory's Role in the Training of the United States

    An Actor Remembers: Memory's Role in the Training of the United States

  • Active Experiencing in Postdramatic Performance : Affective Memory and Quarantine Theatre’S Wallflower Crossley, TL

    Active Experiencing in Postdramatic Performance : Affective Memory and Quarantine Theatre’S Wallflower Crossley, TL

  • The Vocabulary of Acting: a Study of the Stanislavski 'System' in Modern

    The Vocabulary of Acting: a Study of the Stanislavski 'System' in Modern

  • 5553351 Sheé'éar

    5553351 Sheé'éar

  • The Stanislavski System Reexamined As a Cognitive Process Using the “Theatre of Consciousness” Model of Bernard Baars

    The Stanislavski System Reexamined As a Cognitive Process Using the “Theatre of Consciousness” Model of Bernard Baars

  • Utilizing the Stanislavski System and Core Acting Skills to Teach Actors in Arts Entrepreneurship Courses

    Utilizing the Stanislavski System and Core Acting Skills to Teach Actors in Arts Entrepreneurship Courses

  • Reflections on the Work of Lee Strasberg and His Influence on British Actor Training by David Shirley ABST

    Reflections on the Work of Lee Strasberg and His Influence on British Actor Training by David Shirley ABST

  • Alba Emoting and Michael Chekhov's Technique

    Alba Emoting and Michael Chekhov's Technique

  • The American Career of Maria Ouspenskaya (1887-1949): Actress and Teacher

    The American Career of Maria Ouspenskaya (1887-1949): Actress and Teacher

  • Reading for the Soul in Stanislavski's the Work of the Actor on Him/Herself

    Reading for the Soul in Stanislavski's the Work of the Actor on Him/Herself

  • Proposed Exercises for Memory and Emotion in Acting Pedagogy: a Shared Narrative with Science

    Proposed Exercises for Memory and Emotion in Acting Pedagogy: a Shared Narrative with Science

  • Reflections on the Work of Lee Strasberg and His Influence on British Actor Training

    Reflections on the Work of Lee Strasberg and His Influence on British Actor Training

  • Method Acting in Theory and Practice

    Method Acting in Theory and Practice

Top View
  • Theatre Appreciation Terms
  • 2019 Summer Reading Assignment IB English Year 2 Ms
  • A Comparative Study of Robert Lewis, Lee Strasberg, Stella Adler
  • The Origin of Stanislavski's System
  • 1 Emotion Memory


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