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Adolf Loos

  • Architectural Traces of an Admirable Cipher: Eleven in the Opus of Carlo Scarpa1

    Architectural Traces of an Admirable Cipher: Eleven in the Opus of Carlo Scarpa1

  • The Symbolic Form of Architecture

    The Symbolic Form of Architecture

  • Master of Modern —Pilsen 01 Preface Adolf Loos Was a Key Figure in Architecture but His Legacy Has Had to Endure Turbulent Times in His Czech Homeland

    Master of Modern —Pilsen 01 Preface Adolf Loos Was a Key Figure in Architecture but His Legacy Has Had to Endure Turbulent Times in His Czech Homeland

  • Architecture and Copyright: Loos, Law, and the Culture of the Copy

    Architecture and Copyright: Loos, Law, and the Culture of the Copy

  • Central Europe: Shaping a Modern Culture

    Central Europe: Shaping a Modern Culture

  • Adolf Loos, a Controversial Architect -Adolf Loos’ Architectural Position Presents a Complex Relationship with Art Nouveau

    Adolf Loos, a Controversial Architect -Adolf Loos’ Architectural Position Presents a Complex Relationship with Art Nouveau

  • Adolf Loos and Gustav Klimt

    Adolf Loos and Gustav Klimt

  • Marble Craft and Ornament

    Marble Craft and Ornament

  • “In Praise of the Present”: Adolf Loos on Style and Fashion

    “In Praise of the Present”: Adolf Loos on Style and Fashion

  • Why Architecture Matters As Art As Never Before: Le Corbusier, Tony Smith and the Problem of Use

    Why Architecture Matters As Art As Never Before: Le Corbusier, Tony Smith and the Problem of Use

  • Vernacular and Academic Modes in Architecture and Town Planning

    Vernacular and Academic Modes in Architecture and Town Planning

  • Luke D. Kautz

    Luke D. Kautz

  • Architecture and Modernity : a Critique / Hilde Heynen

    Architecture and Modernity : a Critique / Hilde Heynen

  • Kafka and His Contexts Syllabus Spring 2011

    Kafka and His Contexts Syllabus Spring 2011

  • Canales-Criminal Skins.Pdf (1.979Mb)

    Canales-Criminal Skins.Pdf (1.979Mb)

  • Adolf Loos and the Aphoristic Style: Rhetorical Practice in Early Twentieth- Century Modern Architecture

    Adolf Loos and the Aphoristic Style: Rhetorical Practice in Early Twentieth- Century Modern Architecture

  • Untitled” (Presentation, 4Th Annual Woodstock Art Conference, Woodstock, Isparchitecture.Com NY, August 22-23, 1952)

    Untitled” (Presentation, 4Th Annual Woodstock Art Conference, Woodstock, Isparchitecture.Com NY, August 22-23, 1952)

  • Oskar Kokoschka and Masaryk*

    Oskar Kokoschka and Masaryk*

Top View
  • The Rhetoric of Adolf Loos Talia A
  • Brno Successful Defense of the City Against Swedish Against Sieges 1645 Ofthecity Successfuldefense Ofaustro-Hungarian Economicpotential
  • Architecture and Modern Literature
  • Vol. 45, No. 1, January-February 2003
  • Adolf Loos Married a Twenty-One Year Old Drama Student
  • Some Notes on Continuity in the Work of Adolf Loos Andaldo Rossi
  • Sammelrez: Adolf Loos
  • 26 Adolf Loos. Design for His Own Tombstone. 1931
  • At Home in Prague Representations of Home in the Czechoslovakian Interwar
  • Karl Kraus, Adolf Loos and Aestheticism of Fin De Siècle Vienna
  • Patterns SPLITTERWERK, 2004 - 2005
  • Wittgenstein and Modernism Edited by Michael Lemahieu and Karen Zumhagen-Yekplé
  • Jewish Legacy in Viennese Architecture the Contribution of Jewish Architects to Building in Vienna 1868–1938
  • Constructing a Modern Vienna: the Architecture and Cultural
  • Adolf Loos in Brno
  • Constructing a Modern Vienna: the Architecture and Cultural
  • Central Europe: Shaping a Modern Culture
  • Skins, Tattoos, and Susceptibility Author(S): Anne Anlin Cheng Source: Representations, Vol


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