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Adalbert Gyrowetz
A Register of Music Performed in Concert, Nazareth, Pennsylvania from 1796 to 1845: an Annotated Edition of an American Moravian Document
Sacred Music, 136.4, Winter 2009
LOUIS SPOHR and the METRONOME a Contribution to Early Nineteenth-Century Performance Practice
The String Quartet from 1750 to 1870: from the Private to the Public Sphere
MUSIC in the EIGHTEENTH CENTURY Western Music in Context: a Norton History Walter Frisch Series Editor
TOCC0310DIGIBKLT.Pdf
TOCC0335DIGIBKLT.Pdf
The Viennese Classical Concerto
Berkeley RADICAL Calendar of Events
Viennese Chamber Music with Clarinet and Piano, 1783-1827: Repertory and Performance Strategy
CHAN 9791 Front.Qxd 26/7/07 4:47 Pm Page 1
German Writers on German Opera, 1798–1830
Pressetext 20013 Gyrow E.Indd
Danish String Quartet Frederik Øland, Violin Rune Tonsgaard Sørensen, Violin Asbjørn Nørgaard, Viola Fredrik Schøyen Sjölin, Cello
The Classical Era, Part 2: 1780–1820
The Unfinished Piano Sonatas of Franz Schubert Javier Arrebola
The Classical Era, Part 1
The Piano Trio in London from 1791 to 1800
Top View
Setting the Scene
Beethoven's Compositional Approach to Multi-Movement Structures in His
Takács Quartet
The Beethoven Arrangements Published by Sigmund Anton Steiner
Instrumental Music in Late Eighteenth-Century Naples Anthony R
During the Summer of 1913 the North-Italian Town Parma
AN IMPORTANT NOTE from Johnstone-Music ABOUT THE
The Critical Reception of Beethoven's Compositions by His German
FIDELIO Education Guide FINAL
Historical Background of Spohr's Clarinet Concertos
2>7<T /*8/I A(O, H1 an INTERPRETIVE APPROACH to TWO WIND
A Stylistic Assessment of the Viennese Symphony, 1790-1825
Contributors
MUSC 2012.10.01 Facchamprog.Pdf (500.5Kb)