DOCSLIB.ORG

Jam All Mod Coms Blog Download Jam All Mod Coms Blog Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jam All Mod Coms Blog Download Jam All Mod Coms Blog Download jam all mod coms blog download Jam all mod coms blog download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a214b0eff71685 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. All Mod Cons. The Jam regrouped and refocused for All Mod Cons, an album that marked a great leap in songwriting maturity and sense of purpose. For the first time, Paul Weller built, rather than fell back, upon his influences, carving a distinct voice all his own; he employed a story-style narrative with invented characters and vivid British imagery à la Ray Davies to make incisive social commentary -- all in a musically irresistible package. The youthful perspective and impassioned delivery on All Mod Cons first earned Weller the "voice of a generation" tag, and it certainly captures a moment in time, but really, the feelings and sentiments expressed on the album just as easily speak to any future generation of young people. Terms like "classic" are often bandied about, but in the case of All Mod Cons, it is certainly deserved. Coventry Music Articles by Pete Clemons. Forty years ago, or at least just over, saw the release of that most iconic of albums ‘All Mod Cons’ by The Jam. Garry Bushell, in his review, commented on the perceived fact, that, during the run up to the release of ‘All Mod Cons’, the ‘David Watts’ single had apparently relegated The Jam to a spent force. He later pointed out how that comment had been a trifle premature. He continued to mention how the next single ‘Down in the Tube Station’ was a whacking great poke in the ribs pointer to the possible strengths of this, their third and most satisfyingly rounded album. At its release, and for the normal run of the mill listening public ‘All Mod Cons’ seemed to perfectly capture snapshots of aspects of everyday life, as seen through the eyes of Paul Weller. Wonderful lyrics coupled with great tunes instantly had the making of this, now, classic album. Not only that but ‘All Mod Cons’ also looked back musically and spiritually to the 1960s. Although the record itself was totally grounded in the 1970s. And judging by the recent crowds at both The Empire in Coventry and The Assembly in Leamington Spa, The Jam are still fondly remembered in these parts. Incidentally, the Leamington Spa gig came 40 years to the day after The Jam played at Coventry Theatre on the ‘Apocalypse Tour’ in support of the ‘All Mods Cons’ album. At both the Empire and Assembly gigs it was ‘From the Jam’, a hybrid of Paul Wellers super group that contains bass player Bruce Foxton from The Jam’s original line up. They performed the ‘All Mod Cons’ album in its entirety and almost in track order as it appeared on the album. For practicalities, however, ‘English Rose’ was tucked into a quieter seated, more acoustic section, during the middle of the gig. After the main course the set list included hits such as ‘News of the World’, ‘Strange Town’, ‘Eton Rifles’, ‘Private Hell’, ‘Town Called Malice’, ‘In the City’ and ‘When your Young’ which did make me smile due to the fact it was sung by many ‘in reflection’. As with this kind of gig, by bands from this era, very few words came from the stage. Without any heirs and graces 20 or so songs were delivered in blistering fashion. There was little or no tuning of guitars and certainly no sermons delivered. At the time of the release of ‘All Mod Cons’ The Jam were still in their ascendancy. Such was the sudden growth of their following at that time meant that, for the Apocalypse Tour, the band were suddenly moved up from playing smaller venues such as The Locarno/Tiffany’s to the larger, grander seated theatres such as the Coventry Theatre. And what happened to The Jam at the end of their time was totally unprecedented. The trio of Bruce Foxton, Rick Buckler and Paul Weller had steered the band to incredible heights. At the time, they were arguably the most popular group in the UK and then, seemingly out of the blue, Paul pulled the plug on it all. For a short while the country reeled as news of the break up hit the headlines of a lot of national newspapers let alone the music press. However, for the last 10 years or so, ‘From the Jam’ who have always comprised of ex The Jam band members, have resurrected interest in The Jam and their music once again. They have consistently toured in tribute to all that The Jam created. And the resulting audiences have remained as faithful to the band, just as they had been, 40 years ago. Category: Indie / Post-Punk. Ryan Adams – Big Colors (2021) [WEB, CD-Quality + Hi-Res] Ryan Adams – Big Colors (2021) [WEB, CD-Quality + Hi-Res] WEB Download | CD-Quality / FLAC Tracks / 16bit / 44.1kHz | Hi-Res / FLAC Tracks / 24bit / 48kHz Total Size: 259 MB (CD-Quality) + 492 MB (Hi-Res) | 3% RAR Recovery Label: PaxAm Recording Company | Genre: Pop Rock, Indie Rock. Big Colors is the soundtrack to a movie from 1984 that exists only in my soul. It’s a cliché inside a watercolor painting of neon blue smoke rising up off summer streets in the night. It’s the most New York California album I could cut loose from my musical soul, and for me as both a guitar player and songwriter, this is the zenith point dream time. While I won’t be able to match this album for it’s depth and broad color forms in the future, this is the sound of my soul and a door to a place I’ll be returning to again. Continue reading “Ryan Adams – Big Colors (2021) [WEB, CD-Quality + Hi-Res]” Garbage – No Gods No Masters (2021) [Limited Deluxe Edition, WEB, CD-Quality + Hi-Res] Garbage – No Gods No Masters (2021) [Limited Deluxe Edition, WEB, CD-Quality + Hi-Res] WEB Download | CD-Quality / FLAC Tracks / 16bit / 44.1kHz | Hi-Res / FLAC Tracks / 24bit / 96kHz & 44.1kHz Total Size: 659 MB (CD-Quality) + 1.72 GB (Hi-Res) | 3% RAR Recovery Label: Infectious Music | Genre: Alternative Rock. Decrying injustice in a chaotic world, alt-rock mainstays Garbage blazed into the 2020s revitalized and pissed off with their seventh set, No Gods No Masters. Their most overtly political effort to date, the album takes a bold sociopolitical stance in the wake of global events from the years preceding its release, tackling everything from systemic racism and gender inequality to corporate greed and the struggles of the marginalized. Continue reading “Garbage – No Gods No Masters (2021) [Limited Deluxe Edition, WEB, CD-Quality + Hi-Res]” James – All The Colours Of You (2021) [WEB, CD-Quality + Hi-Res] James – All The Colours Of You (2021) [WEB, CD-Quality + Hi-Res] WEB Download | CD-Quality / FLAC Tracks / 16bit / 44.1kHz | Hi-Res / FLAC Tracks / 24bit / 48kHz Total Size: 322 MB (CD-Quality) + 615 MB (Hi-Res) | 3% RAR Recovery Label: Virgin Music UK | Genre: Indie Rock. James will release their 16th studio album All The Colours Of You as physical on 6/18. The new full-length was produced by Grammy award- winning Jacknife Lee (Taylor Swift, U2, REM, Snow Patrol, The Killers), who bought a fresh approach to James’ sound and captured the band in all their glory. All The Colours of You features the most arena ready tracks of James’ 38-year career, the sound of one of Britain’s best bands, deconstructed and reassembled by one of the world’s most renowned producers. Continue reading “James – All The Colours Of You (2021) [WEB, CD-Quality + Hi-Res]” Steven Wilson – The B-Sides Collection (2020) [WEB, CD-Quality + Hi-Res] Steven Wilson – The B-Sides Collection (2020) [WEB, CD-Quality + Hi-Res] WEB Download | CD-Quality / FLAC Tracks / 16bit / 44.1kHz | Hi-Res / FLAC Tracks / 24bit / 96kHz Total Size: 152 MB (CD-Quality) + 500 MB (Hi-Res) | 3% RAR Recovery Label: Arts & Crafts Productions Inc. | Genre: Alternative & Indie. Steven Wilson – The Future Bites (2021) [WEB, CD-Quality + Hi-Res] Steven Wilson – The Future Bites (2021) [WEB, CD-Quality + Hi-Res] WEB Download | CD-Quality / FLAC Tracks / 16bit / 44.1kHz | Hi- Res / FLAC Tracks / 24bit / 96kHz Total Size: 246 MB (CD-Quality) + 858 MB (Hi-Res) | 3% RAR Recovery Label: Caroline International (P&D) | Genre: Indie Rock. Steven Wilson fans have been primed for The Future Bites since he released To the Bone in 2017. That record, and the subsequent 4½ EP, were deliberately “pop” responses to his three-album dalliance with prog — Raven That Refused to Sing, Hand. Cannot. Erase, and Grace for Drowning. In contrast to the above, The Future Bites is a slick exercise in Wilson’s oft-articulated love of synth pop and electronic music. Continue reading “Steven Wilson – The Future Bites (2021) [WEB, CD-Quality + Hi-Res]” Muse – Albums Collection (1999-2018) Muse – Albums Collection (1999-2018) WEB Download | 9x Discs | Hi-Res | FLAC Tracks / 24bit / 96kHz Total Size: 11 GB | 3% RAR Recovery Label: Various | Genre: Alternative Rock, Indie.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Uncovering the Underground's Role in the Formation of Modern London, 1855-1945
    University of Kentucky UKnowledge Theses and Dissertations--History History 2016 Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945 Danielle K. Dodson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.339 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Dodson, Danielle K., "Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945" (2016). Theses and Dissertations--History. 40. https://uknowledge.uky.edu/history_etds/40 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Smash Hits Volume 34
    \ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
    [Show full text]
  • Paul Weller with the BBC Symphony Orchestra and Jules Buckley
    For immediate release Paul Weller with the BBC Symphony Orchestra and Jules Buckley concert date added to ‘Live from the Barbican’ line-up in spring 2021 Barbican Hall, Saturday 6 February 2021, 8pm The Barbican and Barbican Associate Orchestra, the BBC Symphony Orchestra are excited to announce that the orchestra and its Creative Artist in Association Jules Buckley, will be joined by legendary singer songwriter Paul Weller on Saturday 6 February for a concert reimagining Weller’s work in stunning orchestral settings as part of Live from the Barbican in 2021. In Weller’s first live performance for two years, songs spanning the broad spectrum of his career from The Jam to as yet unheard new material will delight fans and newcomers alike. Classic songs including ‘You Do Something to Me’, ‘English Rose’ and ‘Wild Wood’ along with tracks from Weller’s latest number 1 album ‘On Sunset’ will be heard as never before in brand new orchestral arrangements by Buckley. Weller, who takes cultural authenticity to the top of the charts, reunites with Steve Cradock for this one-off performance. Part of the acclaimed Live from the Barbican series which returns to the Centre in the spring, the concert will have a reduced, socially distanced live audience in the Barbican Hall, and it will also be available to watch globally via a livestream on the Barbican website. Whilst the concert will reflect on some of Weller’s back catalogue, as is typical of his constantly evolving career, it will look to the future with performances of songs from an album not released until May 2021, as well as welcoming guest artists to illustrate his work and the music that influenced him.
    [Show full text]
  • Smash Hits Volume 33
    FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN'
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • Smash Hits Volume 60
    35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
    [Show full text]
  • Omega Auctions Ltd Catalogue 28 Apr 2020
    Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
    [Show full text]
  • Andy Higgins, BA
    Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • NO RISK DISC Greentea Peng What’S New
    4 juni 2021 - nr. 378 Het blad van/voor muziekliefhebbers NO RISK DISC Greentea Peng What’s New Billie Marten Flora Fauna ‘Flora Fauna’ is het derde album van singer/songwriter Billie Marten. Na twee akoestische folk albums, heeft ze haar kenmerkende sound uitgebreid met een sterke ruggengraat van bas en ritme. De liedjes markeren een periode van persoonlijke onafhankelijkheid voor Marten, terwijl ze leerde om goed voor zichzelf te zorgen en zich los te maken uit giftige relaties. Release: 21 mei James All the Colours of You ‘All the Colours of You’ is het zestiende studioalbum van de Britse rockband James. Het album is geproduceerd door de met een Grammy bekroonde Jacknife Lee (U2, REM, Taylor Swift, Snow Patrol, The Killers). Hij zorgde voor een frisse blik en een andere benadering, waardoor ‘All the Colours of You’ een fris en festivalklaar geluid heeft. Release: 4 juni Rise Against Nowhere Generation NO ‘Nowhere Generation’ is het negende studioalbum van de Amerikaanse rockband Rise Against. De muziek van de band is gevormd door het activisme en het gevoel van sociale RISK rechtvaardigheid van de bandleden. Dit zijn dan ook elementen die centraal staan in ‘Nowhere Generation’. DISC GREENTEA PENG Release: 4 juni Man Made (Universal) jeugd die niets wil voelen, maar tegelijkertijd LP, CD alles voelt en waarbij Peng zichzelf verliest in Gaspard Augé Greentea Peng is de artiestennaam van de in Zuid- antidepressiva. Die eerlijkheid fascineert. Pengs Escapades Londen geboren zangeres Aria Wells. De 26-jarige teksten zijn donker en persoonlijk en gaan over ‘Escapades’ is het debuutalbum van Gaspard Augé, vooral bekend Peng is met haar vele tatoeages een opvallende haar hoopvolle verlangen naar eenheid in een als de helft van Justice: het duo dat rock en rave verenigde in verschijning, maar meer nog imponeert ze door wereld vol patriarchale structuren, marginalisatie het midden van de jaren 2000.
    [Show full text]
  • Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
    Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture.
    [Show full text]