Bilbao Basque in Glory
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Who's Who in Basque Music Today
Who’s Who in Basque music today AKATZ.- Ska and reggae folk group Ganbara. recorded in 2000 at the circles. In 1998 the band DJ AXULAR.- Gipuzkoa- Epelde), accomplished big band from Bizkaia with Accompanies performers Azkoitia slaughterhouse, began spreading power pop born Axular Arizmendi accordionist associated a decade of Jamaican like Benito Lertxundi, includes six of their own fever throughout Euskadi adapts the txalaparta to invariably with local inspiration. Amaia Zubiría and Kepa songs performed live with its gifted musicians, techno music. In his second processions, and Angel Junkera, in live between 1998 and 2000. solid imaginative guitar and most recent CD he also Larrañaga, old-school ALBOKA.-Folk group that performances and on playing and elegant adds voices from the bertsolari and singer who has taken its music beyond record. In 2003 he recorded melodies. Mutriku children's choir so brilliantly combines our borders, participating a CD called "Melodías de into the mix, with traditional sensibilities and in festivals across Europe. piel." CAMPING GAZ & DIGI contributions by Mikel humor, are up to their ears Instruments include RANDOM.- Comprised of Laboa. in a beautiful, solid and alboka, accordion and the ANJE DUHALDE.- Singer- Javi Pez and Txarly Brown enriching project. Their txisu. songwriter who composes from Catalonia, the two DOCTOR DESEO.- Pop rock fresh style sets them apart. in Euskara. Former member joined forces in 1995, and band from Bilbao. They are believable, simple, ALEX UBAGO.-Donostia- of late 70s folk-rock group, have since played on and Ringleader Francis Díez authentic and, most born pop singer and Errobi, and of Akelarre. -
The Case of Eta
Cátedra de Economía del Terrorismo UNIVERSIDAD COMPLUTENSE DE MADRID Facultad de Ciencias Económicas y Empresariales DISMANTLING TERRORIST ’S ECONOMICS : THE CASE OF ETA MIKEL BUESA* and THOMAS BAUMERT** *Professor at the Universidad Complutense of Madrid. **Professor at the Catholic University of Valencia Documento de Trabajo, nº 11 – Enero, 2012 ABSTRACT This article aims to analyze the sources of terrorist financing for the case of the Basque terrorist organization ETA. It takes into account the network of entities that, under the leadership and oversight of ETA, have developed the political, economic, cultural, support and propaganda agenda of their terrorist project. The study focuses in particular on the periods 1993-2002 and 2003-2010, in order to observe the changes in the financing of terrorism after the outlawing of Batasuna , ETA's political wing. The results show the significant role of public subsidies in finance the terrorist network. It also proves that the outlawing of Batasuna caused a major change in that funding, especially due to the difficulty that since 2002, the ETA related organizations had to confront to obtain subsidies from the Basque Government and other public authorities. Keywords: Financing of terrorism. ETA. Basque Country. Spain. DESARMANDO LA ECONOMÍA DEL TERRORISMO: EL CASO DE ETA RESUMEN Este artículo tiene por objeto el análisis de las fuentes de financiación del terrorismo a partir del caso de la organización terrorista vasca ETA. Para ello se tiene en cuenta la red de entidades que, bajo el liderazgo y la supervisión de ETA, desarrollan las actividades políticas, económicas, culturales, de propaganda y asistenciales en las que se materializa el proyecto terrorista. -
Female Improvisational Poets: Challenges and Achievements in the Twentieth Century
FEMALE .... improvisational - ,I: t -,· POETS ...~1 Challenges and Achievements in the Twentieth Century In December 2009, 14,500 people met at the Bilbao Exhibi tion Centre in the Basque Country to attend an improvised poetry contest.Forty-four poets took part in the 2009 literary tournament, and eight of them made it to the final. After a long day of literary competition, Maialen Lujanbio won and received the award: a big black txapela or Basque beret. That day the Basques achieved a triple triumph. First, thou sands of people had gathered for an entire day to follow a lite rary contest, and many more had attended the event via the web all over the world. Second, all these people had followed this event entirely in Basque, a language that had been prohi bited for decades during the harsh years of the Francoist dic tatorship.And third, Lujanbio had become the first woman to win the championship in the history of the Basques. After being crowned with the txapela, Lujanbio stepped up to the microphone and sung a bertso or improvised poem refe rring to the struggle of the Basques for their language and the struggle of Basque women for their rights. It was a unique moment in the history of an ancient nation that counts its past in tens of millennia: I remember the laundry that grandmothers of earlier times carried on the cushion [ on their heads J I remember the grandmother of old times and today's mothers and daughters.... • pr .. Center for Basque Studies # avisatiana University of Nevada, Reno ISBN 978-1-949805-04-8 90000 9 781949 805048 ■ .~--- t _:~A) Conference Papers Series No. -
The Dynamics Between Unified Basque & Dialects in the Northern
International Journal of Language and Linguistics Vol. 6, No. 1, March 2019 doi:10.30845/ijll.v6n1p13 The Dynamics between Unified Basque & Dialects in the Northern Basque Country: A Survey Based on Perceptual Dialectology Jean-Baptiste Coyos Basque Text & Language Study Center IKER - UMR 5478 (Bayonne - France) & Royal Academy of the Basque Language Château Neuf - Place Paul Bert 64100 Bayonne France Abstract Today Unified Basque, a standardised written version of Basque created by the Academy of the Basque Language from the 1960s onwards and which is now widely codified, coexists alongside the Northern Basque Country’s dialects (NBC, France). Understanding the relationship between these different forms of the Basque language is necessary in order to implement an appropriate language policy. In this paper we present the answers to the open-ended questions of a survey and accompanying comments. Based on Perceptual Dialectology, the questionnaire was completed by 40 people working in Basque in the NBC: writers, teachers, journalists, translators and language technicians. The main objective was to gather their opinions regarding Unified Basque and the dialects. The respondents were chosen according to the following criterion: they are all language prescribers, working in the language and providing a model of the Basque language for society.The main results of the survey are as follows: 95% of respondents think that Unified Basque is necessary in the NBC, 92.5% believe that the specificities of the NBC’s linguistic varieties should be preserved, 80% that Unified Basque does not harm the NBC’s dialects and more than half that there is now a form of Unified Basque specific to the NBC. -
Basque Correlatives and Their Kin in the History of Northern Basque Georges Rebuschi
Basque correlatives and their kin in the history of Northern Basque Georges Rebuschi To cite this version: Georges Rebuschi. Basque correlatives and their kin in the history of Northern Basque. A. LIPTÁK (éd.). Correlatives Cross-Linguistically, John Benjamins, Amsterdam & Philadelphie, pp.81-129, 2009, Language Faculty and Beyond, I. artxibo-00591748 HAL Id: artxibo-00591748 https://artxiker.ccsd.cnrs.fr/artxibo-00591748 Submitted on 10 May 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Basque correlatives and their kin in the history of Northern Basque Georges Rebuschi Relative correlatives in Northern Basque are more restricted than in some other languages. First, they are stylistically marked as highly rhetorical, second, they only impart a generic reading, and thus do not function like ordinary restrictive correlatives as in e.g. Hindi. This paper, which is mainly descriptive, will be concerned with the syntactic differences that help distinguish between correlative relatives and other non-root clauses with and without a wh-item: embedded questions, appositive relatives, and indefinite free relatives, semi- free relatives, conditional and unconditional protases. Hitherto unnoticed examples are provided which show how the close semantic connection between the various types of subordinated clauses examined here have triggered some interesting overlaps in the history of the language. -
Beyond Guernica and the Guggenheim
Beyond Guernica and the Guggenheim Beyond Art and Politics from a Comparative Perspective a Comparative from Art and Politics Beyond Guernica and the Guggenheim This book brings together experts from different fields of study, including sociology, anthropology, art history Art and Politics from a Comparative Perspective and art criticism to share their research and direct experience on the topic of art and politics. How art and politics relate with each other can be studied from numerous perspectives and standpoints. The book is structured according to three main themes: Part 1, on Valuing Art, broadly concerns the question of who, how and what value is given to art, and how this may change over time and circumstance, depending on the social and political situation and motivation of different interest groups. Part 2, on Artistic Political Engagement, reflects on another dimension of art and politics, that of how artists may be intentionally engaged with politics, either via their social and political status and/or through the kind of art they produce and how they frame it in terms of meaning. Part 3, on Exhibitions and Curating, focuses on yet another aspect of the relationship between art and politics: what gets exhibited, why, how, and with what political significance or consequence. A main focus is on the politics of art in the Basque Country, complemented by case studies and reflections from other parts of the world, both in the past and today. This book is unique by gathering a rich variety of different viewpoints and experiences, with artists, curators, art historians, sociologists and anthropologists talking to each other with sometimes quite different epistemological bases and methodological approaches. -
Bizigarriak Estimulantes Stimulants
BIZIGARRIAK ESTIMULANTES STIMULANTS ZIRKULAZIOA ETA EUFORIA CIRCULACIÓN Y EUFORIA CIRCULATION AND EUPHORIA Bizigarriei buruzko hausnarketek kultura eta pentsamendua arakatzeko ezusteko angeluak es- kaintzeko dohaina daukate. Azterketa mikroskopikoak jarduera eta kontenplazioari egiten die lekua, egu- neko eginkizunak eta gaueko ametsak biltzen dituen ikuspegi panoramikoa zabaltzen zaigularik. Ikuslea eragiketatik kanpo uzteko joera duten dinamiketan ez bezala, bizigarriek geure «kasuarekin» eztabaidatzera gonbidatzen gaituzte, lehenik eta behin, eta fanta- sia, grina eta ideologia banaezinak direneko nozioez gainezka ageri zaigu haien azterketa. Bestalde, beren kontsumo eta banaketa ibilbideek marrazten duten ekintza esparrua, planeta osora hedatzen den nerbio sistema baten gisa ageri zaigu. Gizarte-zientzietatik datozen jakintzek oinarrian izan dituzten barrukoa/ kanpokoa, subjektibo/objektiboa, ekonomiko/bio- logikoa gisako banaketen etena dakarten faktoreak direla esan daiteke. Kultura eta pentsamendu arra- zionala ulertzeko daukagun moduak mozkorraren eta euforiaren aurkakoak dira gehienetan, baina nola ukatu gaur egungo garaia taxutu duten prozesu histo- rikoetan bizigarriek izan duten zeregina? Gure planeta globalizatuaren errealitate konplexua xehatzen saiatzea da programa honen helburua, «gure garaiko bizigarriak» aztergai hartzen dituen proiektu baten bidez. Ozeano Atlantikoan zeharreko ibilbi- de komertzial handiak zabalduz geroztik, tabakoa, kafea, azukrea eta kakaoa bezalako merkantziek leku gailena hartu dute gure gizarteetan. -
The Challenge of a Bilingual Society in the Basque Country
The Challenge of a Bilingual Society in the Basque Country EDITED BY Pello Salaburu and Xabier Alberdi Center for Basque Studies UPV/EHU University of Nevada, Reno Center for Basque Studies Current Research Series, No. 9 Te Challenge of a Bilingual Society in the Basque Country Edited by Pello Salaburu and Xabier Alberdi Current Research Series No. 9 Center for Basque Studies University of Nevada, Reno Published in conjunction with the University of the Basque Country UPV/EHU //__ Center for I -::::- Basque Studies Universidad Euskal Herriko c) UNIVERSITY OF NEVADA, RENO - II del Pafs Vasco Unibertsitatea Current Research Selections of the ongoing work done by the faculty of the University of the Basque Country (UPV/EHU), www.ehu.es Editorial Committee Amaia Maseda (Chair, University of the Basque Country, UPV/EHU), Arantza Azpiroz (University of the Basque Country, UPV/EHU), Javier Echeverría (Uni- versity of the Basque Country, UPV/EHU, and Ikerbasque), Jon Landeta (Uni- versity of the Basque Country, UPV/EHU), Sandra Ott (UNR), Joseba Zulaika (UNR), Santos Zunzunegui (University of the Basque Country, UPV/EHU) Current Research Series No. 9 Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2012 by the Center for Basque Studies. All rights reserved. Printed in the United States of America. Cover and series design © 2011 by Jose Luis Agote. Cover design based on engravings by Eduardo Chillida and Jorge Oteiza. Translations by: introduction, Cameron J. Watson; chapter 1, Julie Waddington; chapter 2, Laura Bunt MacRury; chapters 3, 7, and 9, Jennifer R. Ottman; chapters 4, 5 and 6, Jennifer Martin Library of Congress Cataloging-in-Publication Data Te challenge of a bilingual society in the Basque country / edited by Pello Salaburu and Xabier Alberdi. -
(Alter) Mainstream: the Commercial As Transgression
1.2. When underground becomes (alter) mainstream: the commercial as transgression Ion Andoni del Amo1 Abstract In the Basque Country, the combination of a Basque ethnic culture together with subcultural expressions, and the joint mobilisation of them in the different conflicts -particularly the national one- by the social and political movements, has favoured processes of cultural and identity reconstruction. This has also favoured processes of (counter) institutionalisation, in the political realm and in material infrastructures, which have granted them particular power and a lasting nature, to the point of disputing the cultural hegemony of cultural products on the market. It crystallized an aesthetic mode of counterculture and a soundtrack. In that sense, the 'Basque Radical Rock' becomes in a kind of Basque (counter) mainstream, mainstream for some sectors and geographies, in dispute with the commercial or 'Spanish' ones. With Basque rock consolidated as counter-hegemonic, the role of rhythms such as commercial music or reggaeton becomes reversed and they acquire, in countercultural environments, a certain transgressive possibility. This is what some feminist and queer groups have explored. This reflection criticises the aesthetic closure, but also the sexism of Basque rock, moral taboos about sex, or a certain ethnocentric moral superiority with regard to some rhythms, supporting dance and even a right to moments of frivolity. Transgressive praxis involved a provocative and disconcerting insertion of commercial songs, or even traditional Spanish music, at venues playing Basque rock, and passionate reggaeton dancing between young women. Keywords: Basque Country, music, transgression, counterculture, gender, mainstream. Music, protest politics and identity in the Basque country In the last 50 years, the Basque Country has witnessed major counterculture phenomena. -
Joyce's Heirs
Joyce’s Heirs: Joyce’s Imprint on Recent Global Literatures Editor: Olga Fernández Vicente Co-editors: Mari Mar Boillos Pereira Richard Jorge Fernández Paulo Kortazar Billelabeitia CIP. Biblioteca Universitaria Joyce’s heirs [Recurso electrónico] : Joyce’s imprint recent global literatures / editor, Olga Fernández Vicente … [et al.]. – Datos. – Bilbao : Universidad del País Vasco / Euskal Herriko Unibertsitatea, Argital- pen Zerbitzua = Servicio Editorial, [2019]. 1 recurso en línea : PDF (167 p.) Modo de acceso: World Wide Web. ISBN: 978-84-9860-727-7. 1. Joyce, James,1882-1941 - Crítica e interpretación. I. Fernández Vicente, Olga, ed. (0.034)820JOYCE1.06 JOY Debekatuta dago liburu hau osorik edo partez kopiatzea, bai eta tratamendu tronikoz, mekanikoz, fotokopiaz, erregistroz edo beste edozein eratara, baldin eta copyrightaren jabeek ez badute horretarako baimena aldez aurretik eta idatziz eman. UPV/EHUko Euskara Zerbitzuak sustatua eta zuzendua, Euskarazko ikasmaterial- gintza sustatzeko deialdiren bitartez. Diseño de portada: Susana Jodra © Euskal Herriko Unibertsitateko Argitalpen Zerbitzua Servicio de Publicaciones de la Universidad del País Vasco ISBN: 978-84-9860-727-7 Foreword We would like to give special thanks to the research team in LAIDA Literatura eta Identitatea Ikerketa Taldea. Their contribution, which can be found in https://www.ehu. eus/es/web/laida/helburua, to the research in Basque literature in a bilingual context, the relationship between literature, gender and identity, and the construction of national identities has been, and is, a paramount example of expertise and dedication. The editors would also like to express their heartfelt thanks to Dr Jon Kortazar Uriarte, professor of Basque Literature at UPV/EHU and main researcher for the LAIDA team, for his invaluable help, without which this volume would have never been published. -
SEPTEMBER > OCTOBER 2020
ENGLISH SEPTEMBER > OCTOBER 2020 SEPTEMBER > OCTOBER Cover images: Acromática. Danza de los trebejos film photo. Mabi Revuelta, 2018 // Osa + Mujika. Loser Everything will be the same. Nothing will be the same. Azkuna Zentroa. Society and Contemporary Culture Centre in Bilbao 7 Culture is + . Fernando Pérez. Azkuna Zentroa Director 8 Open doors to artistic creation 14 Connections, dialogues and drifts of contemporary creation PROGRAMME /Contemporary art 16 Mabi Revuelta. Acromática. Una Partida Inmortal. Exhibition 18 Steve Paxton. Drafting Interior Techniques. Exhibition 19 Leticia Paschetta. Paisaje lúdico blanco. Caresses Playscapes. Installation 20 Amparo Badiola, Gema Intxausti and Susana Talayero. Scriptbarik. Exhibition-poject 22 Nestor Lizalde. Electric coven. Installation 23 Asier Irazabal & Hernán Quipildor. La llave del alma (Arimaren giltza). Fatxada Project 24 Pernan Goñi. Emakume apartak. Fatxada Project 25 Josune Urrutia Asua. Collective Compendium on Cancer. Illustration 26 International Symposium on Curating. The Papers of the Exhibition (1997-2017). Symposium /Live arts 28 Osa + Mujika. Loser. Dance 30 Dantzan Bilaka. Dance 31 Fernando Carvalho. Experimental Music /Zinema and audiovisuals 33 50 gems in the history of cinema (Part II). Zinemateka 37 Donostia Zinemaldia Azkuna Zentroan. Cinema /Literature 40 Easy Reading Club. Reading 42 Patxi Araujo. Steps of faith. Installation. Gau Zuria 43 Alos Quartet. XX Urte. Lau. Music and dance. Loraldia 43 Bilbao Municipal Band Concerts. Music 44 Film Sozialak. 12th International Invisible Film Festival. Cinema 44 Zinemakumeak Gara! 25th Festival of films directed by women. Cinema 45 BBSC. Biscay Bay Startup Campus. Meeting 46 /Forthcoming SUPPORT FOR CREATION 48 Mario Paniego. Komisario Berriak 50 Lanean. Artistic processes support programme 51 Tractora Koop. -
Standardization and Language Change in Basque
University of Pennsylvania Working Papers in Linguistics Volume 11 Issue 2 Selected Papers from NWAV 33 Article 6 2005 Standardization and Language Change in Basque William Haddican Follow this and additional works at: https://repository.upenn.edu/pwpl Recommended Citation Haddican, William (2005) "Standardization and Language Change in Basque," University of Pennsylvania Working Papers in Linguistics: Vol. 11 : Iss. 2 , Article 6. Available at: https://repository.upenn.edu/pwpl/vol11/iss2/6 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/pwpl/vol11/iss2/6 For more information, please contact [email protected]. Standardization and Language Change in Basque This working paper is available in University of Pennsylvania Working Papers in Linguistics: https://repository.upenn.edu/pwpl/vol11/iss2/6 Standardization and Language Change in Basque William Haddican 1 lntroduction1 In the decade following the end of the Franquist dictatorship in 1975, a newly invented Basque standard variety, Batua, was gradually introduced into the Basque educational system and media as part of a massive language revitalization effort. Prior to this time, no broadly accepted Basque standard existed, and Spanish was used exclusively in many prestige do mains-schools, the media, government-in which Batua is now an option. In the years since then, a generation of speakers has grown up with extensive exposure to Batua through schools and media. These changes suggest the possibility that younger speakers will borrow features from Batua into their vernacular, leading to change in local dialects. This paper presents variation data collected in sociolinguistic interviews in the Basque town of Oiartzun2 in an effort to gauge the influence of sta n dardization and recent language planning efforts on the local vernacular.