44 GRAAT On-Line Issue # 17 Barry Hines's Thatcher Era Screenplays
GRAAT On-Line issue # 17 Barry Hines’s Thatcher Era Screenplays Sue Vice University of Sheffield The novelist and screenwriter Barry Hines has observed, ‘My political viewpoint is the mainspring of my work. It fuels my energy’.1 Such inspiration and commitment is clear in his best-known work, including the 1968 novel A Kestrel for a Knave , released a year later as the film Kes (Ken Loach, 1969), as well as The Price of Coal , a two-part Play for Today (Ken Loach, 1977). These works appeared before the watershed British election of 1979, which brought Thatcher’s Conservative government to power. Kes , which centres on the limited options facing a teenage boy, is set at a time when Thatcher was shadow education spokesperson. She had been Conservative party leader for two years when The Price of Coal was broadcast, and its portrayal of malaise in the mining industry—the pair of plays contrasts the expense of efforts made to improve the pit in preparation for a royal visit with the cost-conscious safety shortcuts that precipitate a fatal accident—appears with hindsight to foreshadow the Thatcherite policy that destroyed Britain’s mining industry. 2 Indeed, we see in both these early films versions of the concerns with education, class, work, inequality, and the ability of young people to look forward to a sustainable future, that appear most forcefully and polemically in Hines’s Thatcher-era work. In this essay, I will examine the two of Hines’s screenplays that address or make perceptible the effects of Margaret Thatcher’s time as the British 44 prime minister.
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