Hines Papers (MS 389) - Book Collection

Total Page:16

File Type:pdf, Size:1020Kb

Hines Papers (MS 389) - Book Collection Hines Papers (MS 389) - Book Collection Title Author/Publisher/Year Shelf Number Threads and other Sheffield plays / edited and with an Hines, Barry. (Sheffield : Sheffield Academic Barry Hines Collection/1 introduction by Mick Mangan. Press 1990.) The heart of it / Barry Hines. Hines, Barry, (London : Penguin 1995.) Barry Hines Collection/2 A kestrel for a knave : Barry Hines / guide written by Claire Wright, Claire. (London : Letts Educational Barry Hines Collection/3 Wright. 1995.) First signs / Barry Hines. Hines, Barry, (London, Michael Joseph 1972.) Barry Hines Collection/4 Hines, Barry, (Harmondsworth : Penguin Unfinished business / Barry Hines. Barry Hines Collection/5 1985.) Hines, Barry, (Harmondsworth : Penguin The blinder / Barry Hines. Barry Hines Collection/6 1969.) Two men from Derby and, Shooting stars / Barry Hines ; Hines, Barry, (Oxford : Heinemann Barry Hines Collection/7 introduction, notes and activities by Peter Shepherd. Educational 1993.) The pressures of life : four television plays / by Richard Harris ... [et al.] ; selected and edited by Michael Marland ; (London : Longman 1977.) Barry Hines Collection/8 with questions for discussion and writing by Chris Buckton. Elvis over England / Barry Hines. Hines, Barry, (London : Penguin 1999.) Barry Hines Collection/9 Hines, Barry, (Harmondsworth : Penguin The gamekeeper / Barry Hines. Barry Hines Collection/10 Books 1979.) Looks and smiles directed by Ken Loach. [DVDvideo] / ([U.S.A.] : Image 2007.) Barry Hines Collection/11 The Ken Loach collection. Volume 1 ([S.l.] : Spirit Entertainment 2007.) Barry Hines Collection/12 The Ken Loach collection. Volume 2 [motion picture]. ([S.l.] : Spirit Entertainment 2007.) Barry Hines Collection/13 A kestrel for a knave / Barry Hines ; with a new afterword. Hines, Barry, (London : Penguin 2000.) Barry Hines Collection/14 The play of Kes / Barry Hines & Alan Stronach ; Hines, Barry, (Oxford : Heinemann 1993.) Barry Hines Collection/15 introduction and activities by Anne Fenton. Kes Metro-Goldwyn-Mayer. [videorecording] / ([U.K.] : MGM Home Entertainment 2003.) Barry Hines Collection/16 A kestrel for a knave [sound recording]. Hines, Barry, ([Brighton] : SmartPass 2000.) Barry Hines Collection/17 Threads written by Barry Hines; produced and directed by ([UK] : 2 Entertain 2005.) Barry Hines Collection/18 Mick Jackson. [videorecording] / 1 Hines Papers (MS 389) - Book Collection Hines, Barry, (Hebden Bridge : Pomona The price of coal / Barry Hines. Barry Hines Collection/19 2005.) Hines, Barry, (Hebden Bridge : Pomona Looks & smiles / Barry Hines. Barry Hines Collection/20 2005.) Hines, Barry, (Hebden Bridge : Pomona This artistic life / Barry Hines. Barry Hines Collection/21 2009.) North Yorkshire Women Against Pit Closures. Strike 84-85 / North Yorkshire Women Against Pit (Leeds : North Yorkshire Women Against Pit Barry Hines Collection/22 Closures. Closures 1985.) The Cutting edge : women and the pit strike / edited by (London : Lawrence & Wishart 1986.) Barry Hines Collection/23 Vicky Seddon. Kes Metro Goldwyn Mayer ; Woodfall Films presents a Kestrel Films production ; adapted by Barry Hines, Kenneth (Irvington, NY : The Criterion Collection Barry Hines Collection/24 Loach, Tony Garnett ; produced by Tony Garnett ; directed c2011.) by Kenneth Loach. [videorecording] / A kestrel for a knave / by Barry Hines. Hines, Barry, (Oxford : Pergamon 1969.) Barry Hines Collection/25 Hines, Barry, (Harmondsworth : Penguin A kestrel for a knave / Barry Hines. Barry Hines Collection/26 1969.) Hines, Barry, (Litton : Magna Print Books Kes : (a kestrel for a knave) / by Barry Hines. Barry Hines Collection/27 1977.) A kestrel for a knave / Barry Hines ; with a new afterword. Hines, Barry, (London : Penguin 1999.) Barry Hines Collection/28 Kes : a play of the novel / by Barry Hines and Allan Hines, Barry, (London : Heinemann Barry Hines Collection/29 Stronach. Educational 1976.) Kes : a play by Barry Hines and Allan Stronach / Lance Hattatt, Lance. (London : Hodder and Barry Hines Collection/30 Hattatt and James Sale. Stoughton 1989.) Life after Kes Golding, Simon W. (Bridgnorth : GET 2005.) Barry Hines Collection/31 Which side are you on? : Ken Loach and his films / Hayward, Anthony, (London : Bloomsbury Barry Hines Collection/32 Anthony Hayward. 2004.) A kestrel for a knave / Barry Hines ; with a new afterword. Hines, Barry, (London : Penguin 2000.) Barry Hines Collection/33 2 Hines Papers (MS 389) - Book Collection Orwell, George, (London : Penguin Books in Homage to Catalonia / George Orwell. association with Martin Secker & Barry Hines Collection/34 Warburg 1989) Cry, the beloved country : a story of comfort in desolation / Paton, Alan, (London : Penguin 2000.) Barry Hines Collection/35 Alan Paton. The fight / Norman Mailer. Mailer, Norman. (London : Penguin 2000.) Barry Hines Collection/36 Metamorphosis and other stories : works published during Kafka's lifetime / Frank Kafka ; translated from the German Kafka, Franz, (London : Penguin 2000.) Barry Hines Collection/37 and edited by Malcolm Pasley. Money : a suicide note / Martin Amis. Amis, Martin, (London : Penguin 2000.) Barry Hines Collection/38 The outsider / Albert Camus ; translated from the French Camus, Albert, (London : Penguin Books Barry Hines Collection/39 by Joseph Laredo. 2000.) Just so stories : for little children / Rudyard Kipling : illustrated by the author / edited with an introduction by Kipling, Rudyard, (London : Penguin 1987) Barry Hines Collection/40 Peter Levi. Black mischief / Evelyn Waugh ; with nine drawings by the Waugh, Evelyn, (Harmondsworth : Penguin Barry Hines Collection/41 author. 2000.) The sheltering sky / Paul Bowles ; with an introduction by Bowles, Paul, (London : Penguin Books in Barry Hines Collection/42 Michael Hofmann. association with Peter Owen Ltd 1969) Looks and smiles / Barry Hines. Hines, Barry, (London : Michael Joseph 1981.) Barry Hines Collection/43 Hines, Barry, (Long Preston : Magna Print Looks and smiles / by Barry Hines. Barry Hines Collection/44 Books 1985, c1981.) Hines, Barry, (Harmondsworth : Penguin Looks and smiles / Barry Hines. Barry Hines Collection/45 1983, c1981.) The heart of it / Barry Hines. Hines, Barry, (London : Michael Joseph 1994.) Barry Hines Collection/46 The price of coal : the scripts of the two television plays Hines, Barry, (London : Hutchinson & Co 'Meet the People' and 'Back to Reality' / edited by Allan Barry Hines Collection/47 1979.) Stronach. The best short plays. 1971 / edited and with an introduction (Philadelphia, Pa. ; Chilton Co 1971.) Barry Hines Collection/48 by Stanley Richards. 3 Hines Papers (MS 389) - Book Collection The best short plays. 1971 / edited and with an introduction (New York, N.Y. : Equinox Books/Avon Books Barry Hines Collection/49 by Stanley Richards. 1971) The experience of work : an anthology of prose, verse, Marland, Michael. ([Harlow] : Longman 1973.) Barry Hines Collection/50 drama, and picture / compiled by Michael Marland. Prompt two : five short modern plays / edited by Alan (London : Hutchinson 1976.) Barry Hines Collection/51 Durband. Act two / edited by David Self and Ray Speakman. (London : Hutchinson 1979.) Barry Hines Collection/52 New plays 2 / general editor, Peter Terson ; activities (Oxford : Oxford University Press 1988.) Barry Hines Collection/53 section by Steve Barlow and Steve Skidmore. Running for clocks and dessert spoons : sporting lives / (Castleford : Yorkshire Art Circus 1988.) Barry Hines Collection/54 edited by Ian Clayton. Hodkinson, Mark. (Hebden Bridge : Pomona Believe in the sign / Mark Hodkinson. Barry Hines Collection/55 2006 2006) Argosy : the short story magazine. Vol. XXVIII, No. 11, (London : Fleetway Publications 1967.) Barry Hines Collection/56 November 1967. The Richard Matthewman stories / Ian Mcmillan & Martyn McMillan, Ian, (Hebden Bridge : Pomona Barry Hines Collection/57 Wiley. 2009.) Peak district walks. 1, Short walks for the motorist / by John Merrill, John N., (Clapham (via Lancaster) : Barry Hines Collection/58 N. Merrill. Dalesman 1981.) The other half : British working-class stories / selected and (Göteborg : Akademi förlaget 1994.) Barry Hines Collection/59 introduced by Ronald Paul. Dandelion clocks : stories of childhood / edited by Alfred (London : Michael Joseph 1978.) Barry Hines Collection/60 Bradley and Kay Jamieson. Sport / selected and edited by John Foster. (Oxford : Oxford University Press c1991.) Barry Hines Collection/61 The Northern Drift : an anthology of poems, prose and songs from the award-winning BBC series / compiled by (Glasgow : Blackie 1980.) Barry Hines Collection/62 Alfred Bradley; line drawings by Jim Andrew. Coal : an anthology of mining / edited by Tony Curtis ; (Bridgend, Wales : Seren c1997.) Barry Hines Collection/63 foreword by Tony Benn. Hines, Barry, (Harmondsworth : Penguin A kestrel for a knave / Barry Hines. Barry Hines Collection/64 1969.) Kes / Barry Hines ; oversatt av Per Knutsen. Hines, Barry, (Oslo : Gyldendal 1986.) Barry Hines Collection/65 4 Hines Papers (MS 389) - Book Collection Kes / Barry Hines ; traduit de l'anglais par Lola Tranec- Hines, Barry, ([Paris] : Gallimard c1982.) Barry Hines Collection/66 Dubled ; illustrations de William Geldart. Und fing sich einen Falken : Roman / Barry Hines ; [aus Hines, Barry, (Berlin : Volk und Welt 1973.) Barry Hines Collection/67 dem Englischen von Reinhild und Gunter Böhnke]. Kes / Barry Hines ; z języka angielskiego przełożyła Maria Hines, Barry, (Warszawa : Książka i Wiedza Barry Hines Collection/68
Recommended publications
  • Ken Loach : Constructing Individuals
    UNIVERSITE MICHEL DE MONTAIGNE – BORDEAUX III U.F.R D’ANGLAIS Ken Loach : Constructing Individuals Questions of existentialism, happiness, gender and individual / collective construction. TRAVAIL D’ETUDES ET DE RECHERCHES PRESENTE PAR ALEXANDRA BEAUFORT J UNIVERSITE MICHEL DE MONTAIGNE – BORDEAUX III U.F.R D’ANGLAIS Ken Loach : Constructing Individuals Questions of existentialism, happiness, gender and individual / collective construction. TRAVAIL D’ETUDES ET DE RECHERCHES PRESENTE PAR ALEXANDRA BEAUFORT Remerciements Je tiens à remercier: - Monsieur Joël Richard qui a accepté de diriger ce TER, pour sa confiance, son suivi et ses conseils; - Monsieur Jean François Baillon, pour son aide précieuse et sa disponibilité; - Monsieur Maurice Hugonin, pour son aide sur Aristote; - Messieurs Paul Burgess, Ken Allen, JF Buck, et les autres pour leur aide à la re- lecture; - Monsieur Fabrice Clerc, pour son soutien et son aide à la mise en page; - Tout le personnel de Parallax Pictures à Londres, pour leur gentillesse et leur compréhension; - Et enfin Ken Loach, pour son extrême gentillesse lors de l'interview, et surtout pour tous ses films, dont l'étude a toujours été passionnante et très enrichissante. TABLE OF CONTENTS INTRODUCTION 1 I/ THE EXISTENTIALIST TREND IN LOACH'S FILMS. 3 1/ Against systematisation. 4 2/ The engagement of the self. 7 3/ Question of religion. 11 4/ Marxism and Existentialism: question of politics. 15 II/ THE PURSUIT OF HAPPINESS 19 1/ Learning to live 20 2/ The Aristotelian conception of citizenship. 23 3/ The organic city. 26 4/ Happiness and Socialization 29 III/ GENDER ISSUES. 33 1/ Is there a gender issue in Loach's movies? 34 2/ Out of home: from Cathy to Sarah 41 3/ Falling Standards, Fallen Males.
    [Show full text]
  • Barry Hines Has Observed: ‘My Political Viewpoint Is the Mainspring of My Work
    Barry Hines has observed: ‘My political viewpoint is the mainspring of my work. It fuels my energy’ (2009: v). Such a comment will not surprise readers of Hines’ novel A Kestrel for a Knave and viewers of its film version Kes (1969). This was the first of many films written by Hines and directed by Ken Loach which include The Price of Coal (BBC, 1977), The Gamekeeper (ATV, 1980) and the feature film Looks and Smiles (1981). Among Hines' other works areThreads (BBC, 1984), his television film about a nuclear strike against Britain, as well as the BBC Plays for TodayBilly's Last Stand (1971), about the coal industry, and Speech Day (1973), about school-leavers. Given this preoccupation with politics as they affect everyday life, and the fact that all of Hines' work is set in his native South Yorkshire among its working-class communities, it seems surprising that none of these plays is about the miners' strike of 1984–5. The Price of Coal, a pair of Plays for Today, is set in 1977; with hindsight it is fittingly prophetic that in the first play, Meet the People, the daubing of Arthur Scargill's name on a wall threatens to disrupt preparations for an impending royal visit to Milton Colliery. The lock-outs and state-sponsored violence against people clamouring for food after the nuclear attack in Threads also appear prescient since the script was completed before the miners' strike began. However, exploration of the unproduced plays collected in Hines' archive reveals that the 1984–5 strike remained a political and dramatic preoccupation of the playwright for over twenty years.
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • Beyond the Dark, Satanic Mills an Ecocritical Reading of a Kestrel for a Knave
    Through the Working Class Ecology and Society Investigated Through the Lens of Labour edited by Silvio Cristiano Beyond the Dark, Satanic Mills An Ecocritical Reading of A Kestrel for a Knave Joanna Dobson (Sheffield Hallam University, Sheffield, UK) Abstract Barry Hines’ 1968 novel A Kestrel for a Knave is justly celebrated for its depiction of work- ing-class life in an English mining village. However, false assumptions about the role of ‘nature’ in the working-class experience have led critics to overlook the significance of the bird at the centre of the novel and the descriptions of the surrounding environment. A reading that foregrounds these aspects offers new insights, revealing a prescient anxiety about the way capitalism weakens relationships between human and nonhuman. The book is shown to be ahead of its time in its understanding that human flourishing depends on meaningful connection with the more-than-human world. Keywords Animal studies. Barry Hines. Birds. Ecocriticism. Northern England. Working-class writing. Barry Hines’ much-loved 1968 novel A Kestrel for a Knave tells the story of Billy Casper, a young teenager growing up in a coal mining village in South Yorkshire, and his relationship with a kestrel called Kes. In an af- terword to the Penguin Modern Classics edition of the book, Hines writes that one of the questions he is most frequently asked is how he knows so much about the countryside, since he too grew up in a mining community in the north of England. He goes on: It’s an ignorant question but understandable, because many people still have a vision of the north filled with ‘dark satanic mills’, mines and fac- tories, and not a blade of grass in sight.
    [Show full text]
  • Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
    ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Living Prison History: More Amazingly Still, It Was Universally Enjoyed
    48 Jailbreak www.insidetime.org Insidetime July 2016 Reading Group Round-up Promoting reading and reading groups in prisons The report this month comes passion for nature generally and for the kestrel from Stephen P and the group ‘Kes’ in particular. Colette asked the group if at Wymott. They recently anyone had experienced a similar kind of pas- read Barry Hines’s 1968 sion for a subject that helped them cope with novel A Kestrel for a Knave, the trials of life. which became Ken Loach’s After a short silence, the answers came: ‘art’, classic film Kes a year later. ‘physics and astronomy’, ‘creative writing’. Ian expressed his love of Rome and Bill regaled the Amazingly almost everyone had read the book. group with stories of Santiago de Compostella Living prison history: More amazingly still, it was universally enjoyed. in Spain. Other passions included music, poetry Craig started things off: ‘It was a bit like my own and etymology. Pete D was silent about his life’, he said. Stephen U felt that it was inform- private passion but the way he devoured the The closure of HMP Holloway on ative about falconry and gave great details of final chocolate biscuit suggested a love of the history of this ancient pursuit. Bill liked the ‘ate-emology’. style, describing it as a ‘stream of conscious- National Prison Radio ness.’ He even referenced a phrase that he par- The story of ‘Kes’ resonates and moves us be- from all walks of life and We’ll hear some astonishing ticularly liked: ‘boiler pipes like branches of a cause it destroys the lie that people on the mar- carried out of a campaign testimony from the suffra- beanstalk’.
    [Show full text]
  • From in Two Minds to Family Life
    Tony Garnett From In Two Minds to Family Life From In Two Minds to Family Life TONY GARNETT I’ve been asked to say something about the background to the films In Two Minds (1967) and Family Life (1971). It began in the 1950s, in a respectable working-class suburb of Birmingham. I am in the sixth form at a local grammar school. And I fall in love. Like all adolescent love, it was intense and scary and…wonderful. But unlike most adolescent love, this one lasted. Her name was Topsy and she was fifteen. Cut to ten years later. We are living together in a flat in London, we are both actors, and life is going much better than we ever thought it might. I was doing extremely well. When, in your middle twenties, you have your picture on the front of the Radio Times and you’re given the number one dressing room at the Televison Centre, you think: this can’t last. She was doing even better. She had also been on the cover of the Radio Times, in a two-hander she did for the BBC with Dame Edith Evans. Then Tony Richardson asked her to be in The Loneliness of the Long Distance Runner (1962), with Tom Courtenay. And Tony was going to Stratford to do a season, and he asked her to join the company, playing number two to Vanessa Redgrave. But John Schlesinger had asked her to play opposite Tom again in the film version of Billy Liar (1963), which was to be shot in the North of England.
    [Show full text]
  • Revue Française De Civilisation Britannique, XXVI-1 | 2021 Challenging the “Neutrality” of Public Service in the 1960S: the Wednesday Pl
    Revue Française de Civilisation Britannique French Journal of British Studies XXVI-1 | 2021 The BBC and Public Service Broadcasting in the Twentieth Century Challenging the “Neutrality” of Public Service in the 1960s: The Wednesday Plays of Tony Garnett and Ken Loach Les Wednesday Plays de Tony Garnett et de Ken Loach : La “neutralité” du service public des années 1960 mise à l’épreuve Susannah O’Carroll Electronic version URL: http://journals.openedition.org/rfcb/7542 DOI: 10.4000/rfcb.7542 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference Susannah O’Carroll, “Challenging the “Neutrality” of Public Service in the 1960s: The Wednesday Plays of Tony Garnett and Ken Loach”, Revue Française de Civilisation Britannique [Online], XXVI-1 | 2021, Online since 05 December 2020, connection on 19 January 2021. URL: http:// journals.openedition.org/rfcb/7542 ; DOI: https://doi.org/10.4000/rfcb.7542 This text was automatically generated on 19 January 2021. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Challenging the “Neutrality” of Public Service in the 1960s: The Wednesday Pl... 1 Challenging the “Neutrality” of Public Service in the 1960s: The Wednesday Plays of Tony Garnett and Ken Loach Les Wednesday Plays de Tony Garnett et de Ken Loach : La “neutralité” du service public des années 1960 mise à l’épreuve Susannah O’Carroll 1 In trying to understand an object, it is often useful to consider it from all angles.
    [Show full text]
  • File, and the Sabre of Shadow Emanating from the Eye-Hole, Just for a Moment He Resembled an Old Print of a Child Hurrying Towards the Final Solution.4
    The portrayal of the working-class and working-class culture in Barry Hines’s novels TURNBULL, Simone Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/8637/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/8637/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. The Portrayal of the Working-class and Working-class Culture in Barry Hines’s Novels. Submitted by Simone Turnbull A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy. August 2014 1 Abstract. Portrayal of working-class and working-class culture in Barry Hines’s novels. This thesis examines Barry Hines’s representation of contemporary British working- class and working-class culture. The corpus includes the writer’s nine novels: The Blinder published in 1966, A Kestrel for a Knave in 1968, First Signs in 1972, The Gamekeeper in 1975, The Price of Coal in 1979, Looks and Smiles in 1981, Unfinished Business in 1983, The Heart of It in 1994 and finally Elvis over England in 1998. The written work also comprises the play entitled Two Men from Derby which was first shown on BBC 1 on 21 February 1976 and subsequently broadcast on BBC Radio 4 on 23 October 1976.
    [Show full text]
  • 44 GRAAT On-Line Issue # 17 Barry Hines's Thatcher Era Screenplays
    GRAAT On-Line issue # 17 Barry Hines’s Thatcher Era Screenplays Sue Vice University of Sheffield The novelist and screenwriter Barry Hines has observed, ‘My political viewpoint is the mainspring of my work. It fuels my energy’.1 Such inspiration and commitment is clear in his best-known work, including the 1968 novel A Kestrel for a Knave , released a year later as the film Kes (Ken Loach, 1969), as well as The Price of Coal , a two-part Play for Today (Ken Loach, 1977). These works appeared before the watershed British election of 1979, which brought Thatcher’s Conservative government to power. Kes , which centres on the limited options facing a teenage boy, is set at a time when Thatcher was shadow education spokesperson. She had been Conservative party leader for two years when The Price of Coal was broadcast, and its portrayal of malaise in the mining industry—the pair of plays contrasts the expense of efforts made to improve the pit in preparation for a royal visit with the cost-conscious safety shortcuts that precipitate a fatal accident—appears with hindsight to foreshadow the Thatcherite policy that destroyed Britain’s mining industry. 2 Indeed, we see in both these early films versions of the concerns with education, class, work, inequality, and the ability of young people to look forward to a sustainable future, that appear most forcefully and polemically in Hines’s Thatcher-era work. In this essay, I will examine the two of Hines’s screenplays that address or make perceptible the effects of Margaret Thatcher’s time as the British 44 prime minister.
    [Show full text]
  • Biography Ken Loach
    A Biography for Ken Loach Date of Birth : 17 June 1936, Nuneaton, Warwickshire, England, UK IMDb Mini Biography by Michael Brooke Unlike virtually all his contemporaries, Ken Loach has never succumbed to the siren call of Hollywood, and it's virtually impossible to imagine his particular brand of British socialist realism translating well to that context. After studying law at St. Peter's College, Oxford, he branched out into the theater, performing with a touring repertory company. This led to television, where in alliance with producer Tony Garnett he produced a series of docudramas, most notably the devastating "Cathy Come Home" episode of "The Wednesday Play" (1964), whose impact was so massive that it led directly to a change in the homeless laws. He made his feature debut Pas de larmes pour Joy (1967) the following year, and with Kes (1969), he produced what is now acclaimed as one of the finest films ever made in Britain. However, the following two decades saw his career in the doldrums with his films poorly distributed (despite the obvious quality of work such as The Gamekeeper (1968) (TV) and Regards et sourires (1981)) and his TV work in some cases never broadcast (most notoriously, his documentaries on the 1984 miners' strike). But he made a spectacular comeback in the 1990s, with a series of award-winning films firmly establishing him in the pantheon of great European directors - his films have always been more popular in mainland Europe than in his native country or the US (where Riff-Raff (1991) was shown with subtitles because of the wide range of dialects).
    [Show full text]