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Pat Garrett Bio
Pat Garrett Bio Country entertainer Pat Garrett is one of music’s best-kept secrets. The vocal powerhouse, who’s shared the stage with the likes of Johnny Cash, George Jones, and Willie Nelson, and has released seven albums of original music, has a host of other credits to his name. Most people are surprised to learn that the prolific singer/songwriter penned the song, “Bad Woman”, recorded by acclaimed British rockers, The Arctic Monkeys. Or that his biker song and video, “Wild Hog, has over 100,000 hits on YouTube. Or that he helped launch the career of Taylor Swift. Or that he’s been on the GOP trail entertaining at Palin/McCain rallies with his original song, “Moose-Shootin’ Mama”. While his rich baritone voice is perfectly showcased on one of his romantic original ballads, like wedding favorite “Hold Onto You”, he is not one to shy away from a stimulating debate. A prime example is his latest song, “I’m Voting for Donald for President” in support of presumptive presidential nominee, Donald Trump. He wrote the song soon after the billionaire businessman announced his candidacy in summer of 2015, amidst a firestorm of criticism. The song ad video are being released nationally in May 2016. This isn’t the first time Garrett’s thrown his cowboy hat into the political ring. His infectious, upbeat single “Moose Shootin’ Mama,” a tribute to former candidate for Vice President, Sarah Palin was one of the most talked about songs of the 2008 political season, leading to coverage on major news outlets, Fox and ABC, and a stint as the entertainer on the GOP trail. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Sexuality Education for Mid and Later Life
Peggy Brick and Jan Lunquist New Expectations Sexuality Education for Mid and Later Life THE AUTHORS Peggy Brick, M.Ed., is a sexuality education consultant currently providing training workshops for professionals and classes for older adults on sexuality and aging. She has trained thousands of educators and health care professionals nationwide, is the author of over 40 articles on sexuality education, and was formerly chair of the Board of the Sexuality Information and Education Council of the United States (SIECUS). Jan Lunquist, M.A., is the vice president of education for Planned Parenthood Centers of West Michigan. She is certified as a sexuality educator by the American Association of Sex Educators, Counselors, and Therapists. She is also a certified family life educator and a Michigan licensed counselor. During the past 29 years, she has designed and delivered hundreds of learning experiences related to the life-affirming gift of sexuality. Cover design by Alan Barnett, Inc. Printing by McNaughton & Gunn Copyright 2003. Sexuality Information and Education Council of the United States (SIECUS), 130 West 42nd Street, New York, NY 10036-7802. Phone: 212/819-9770. Fax: 212/819-9776. E-mail: [email protected] Web site: http://www.siecus.org 2 New Expectations This manual is dedicated to the memory of Richard Cross, M.D. 1915-2003 “What is REAL?” asked the Rabbit one day, when they were lying side by side near the nursery fender before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick-out handle?” “Real isn’t how you are made,” said the Skin Horse. -
Yacht Rock Episode 2
(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name Address Phone INT. KITCHEN STUDIO - HOST STAND-UP HOLLYWOOD STEVE Oh, hi. I’m Hollywood Steve. You’ve caught me preparing a delicious souffle. The great song writing duel of 1978 would change music forever. And as with any great soufflé, the main ingredient of tonight’s episode is a heaping helping of surprise... SHOW OPEN - YACHT ROCK “KEEP THE FIRE” EXT. ALLEYWAY - DAY KOKO & SKUNK watch MICHAEL & KENNY warm up. SKUNK I see you brought your lucky harpoon. KOKO Skunk, I woke up to a red sky this morning. Sailor’s Warning. I’m afraid. But today is up to Mike and Kenny. I’m just here to keep the fire. CHRISTOPHER CROSS pushes his way up to Koko. CHRISTOPHER CROSS Mr. Goldstein! The music of your artists has been an inspiration to me... SKUNK Scram, kid. Koko’s busy keepin the fire. Skunk pushes CHRIS away. KOKO The judges arrive. It begins... The judges approach the table. They are GENE BALBOA, a tan record exec, RODNEY MULDOON, a disco-dressed music writer, and PETER CETERA of Chicago. GENE Gentlemen, the future of popular music is at stake today. RODNEY Hall & Oates... begin! HALL & OATES step before the judges and bow. OATES wears a forehead bandage. Hall winks at SARA ALLEN, crossing her fingers on the sidelines. 2. INT. HALL & OATES HALLWAY - DAY Sara listens to Hall & Oates fight. -
WHAT YOU NEED to KNOW ABOUT DATING VIOLENCE a TEEN’S HANDBOOK “I Think Dating Violence Is Starting at a Younger Age
WHAT YOU NEED TO KNOW ABOUT DATING VIOLENCE A TEEN’S HANDBOOK “I think dating violence is starting at a younger age. It happened to me when I was 14 and I didn’t know what to do. We were friends, and then we started becoming closer. One day, he tried to push himself onto me physically. I didn’t tell anyone for months. I was embarrassed. When I finally told people, the more I talked about it the better I felt. My friend said, ‘You have to remember that you don’t deserve people taking advantage of you.’ A lot of my friends said stuff to him, and it made him feel really stupid about what he had done. The more I talked about it, the more I heard that this stuff happens but it’s not your fault.” — A. R., age 17 table of contents 3 to our teenage friends 4 chapter one: summer’s over 7 chapter two: risky business 10 chapter three: no exit? 14 chapter four: a friend in need 20 chapter five: taking a stand 25 for more information “I’m sorry,” he says, taking her hand. “It’s just that I miss you when you’re not around. I’m sorry I lost my temper.” Excerpted from chapter two. to our teenage friends Your teen years are some of the most exciting and challenging times in your life. You’re meeting new people, forming special friendships and making lifelong decisions. Some of these decisions may involve dating. And while dating can be one of the best things about being a teenager, it brings a host of new feelings and experiences — not all of them good. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Download Internet Service Channel Lineup
INTERNET CHANNEL GUIDE DJ AND INTERRUPTION-FREE CHANNELS Exclusive to SiriusXM Music for Business Customers 02 Top 40 Hits Top 40 Hits 28 Adult Alternative Adult Alternative 66 Smooth Jazz Smooth & Contemporary Jazz 06 ’60s Pop Hits ’60s Pop Hits 30 Eclectic Rock Eclectic Rock 67 Classic Jazz Classic Jazz 07 ’70s Pop Hits Classic ’70s Hits/Oldies 32 Mellow Rock Mellow Rock 68 New Age New Age 08 ’80s Pop Hits Pop Hits of the ’80s 34 ’90s Alternative Grunge and ’90s Alternative Rock 70 Love Songs Favorite Adult Love Songs 09 ’90s Pop Hits ’90s Pop Hits 36 Alt Rock Alt Rock 703 Oldies Party Party Songs from the ’50s & ’60s 10 Pop 2000 Hits Pop 2000 Hits 48 R&B Hits R&B Hits from the ’80s, ’90s & Today 704 ’70s/’80s Pop ’70s & ’80s Super Party Hits 14 Acoustic Rock Acoustic Rock 49 Classic Soul & Motown Classic Soul & Motown 705 ’80s/’90s Pop ’80s & ’90s Party Hits 15 Pop Mix Modern Pop Mix Modern 51 Modern Dance Hits Current Dance Seasonal/Holiday 16 Pop Mix Bright Pop Mix Bright 53 Smooth Electronic Smooth Electronic 709 Seasonal/Holiday Music Channel 25 Rock Hits ’70s & ’80s ’70s & ’80s Classic Rock 56 New Country Today’s New Country 763 Latin Pop Hits Contemporary Latin Pop and Ballads 26 Classic Rock Hits ’60s & ’70s Classic Rock 58 Country Hits ’80s & ’90s ’80s & ’90s Country Hits 789 A Taste of Italy Italian Blend POP HIP-HOP 750 Cinemagic Movie Soundtracks & More 751 Krishna Das Yoga Radio Chant/Sacred/Spiritual Music 03 Venus Pop Music You Can Move to 43 Backspin Classic Hip-Hop XL 782 Holiday Traditions Traditional Holiday Music -
Bouncy Rhymes Giddyap, Giddyap Giddyap, Giddyap, Ride to Town Giddyap, Giddyap, up and Down
Bouncy Rhymes Giddyap, Giddyap Giddyap, giddyap, ride to town Giddyap, giddyap, up and down. 1,2,3 Baby’s On My Knee Giddyap fast 1,2,3 baby’s on my Knee Giddyap slow 1,2,3,4 WHOOPS! Giddyap, giddyap, giddyap, WHOA! Baby’s on the floor! Grandfather Clock Acka Backa The grandfather clock goes tick tock, tick tock, Acka backa soda cracker tick tock, tick tock ( rock side to side) Acaka backa boo The kitchen clock goes tick tock, tick tock, tick Acka backa soda cracker tock, tick tock (a little faster) Up goes you! But mommy’s little watch goes Tick-a, Tick-a, Acka backa soda cracker tick-a, tick-a, tick-a (bounce faster or give a Acka backa boo tickle) Acka backa soda cracker I love you! Granny and Momma Granny and Momma and a horse named May A Froggy Sat on a Log Crossed the River one fine day A froggy sat on a log Granny jumped off – SPLASH A-weeping for his daughter Momma jumped off – SPLASH His eyes were red And the horse named May just galloped away, His tears he shed away, away, away! And he fell right into the water. Grand Old Duke of York Boing, Boing Squeak The Grand Old Duke of York Boing, boing squeak He had ten thousand men Boing, boing squeak He marched them to the top of the hill A bouncy mouse was in the house And he marched them down again. She’s been here for a week When they were up they were up She bounces in the kitchen When they were down they were down She bounces in the den And when they were only half way up She bounces in the living room They were neither up nor down. -
Market Commentary September 2021
market commentary September 2021 Smooth Sailing (So Far) Hanging out by the pool or in the backyard is a staple of summertime. Good times with family and friends are often accompanied by some music playing in the background. For many, that summertime hang music is “yacht rock” – the chart-topping smooth music from the late 1970’s and early 1980’s that is, if nothing else, easy to listen to. The Doobie Brothers, Steely Dan, Hall & Oates and Christopher Cross are all giants of the genre. Yet if there was one single artist who most epitomized the smoothness of yacht rock, it would have to be Michael McDonald. McDonald’s prowess was no more apparent than on The Doobie Brothers’ 1978 classic “What a Fool Believes”. His smooth delivery, combined with an effortless melody and an electric piano might just be the easiest “easy listening” ever produced. However, listening to the lyrics paints a more sullen picture – the story of a man foolishly believing he has a chance of rekindling an old flame. Much like the smooth music of “What a Fool Believes” the stock market has had a very smooth ride thus far in 2021. The S&P 500 Index is up over 20% on the year, and has experienced very little turbulence along the way. To date, 2021’s biggest decline has been a blink-and-you-missed-it 4.2% drop in February and March. In most years, the stock market experiences a decline of 10%-15% at some point along the way. This type of uninterrupted smooth sailing has only happened a handful of times since 1928 (see table at right). -
Clapping Games General Descriptions Apple on a Stick
Clapping games The material in this document derives from two sources. Some of it is cited directly from the material supplied by school students in response to Section 7 of the original questionnaire. Some of it is material provided by students during school visits. This material varies considerably in the degree to which it is a direct citation of what was said, or a digest of the information provided. General Descriptions W12 A variety of rhymes accompanied by a combination of claps with yourself and a partner or round a circle. K25 – visit material Clapping games demonstrated, but words minimal. Apple on a Stick R4 In this clapping game you just have to repeat the actions over and over again. The rhyme goes like this: Apple on a stick Makes me sick My heart beat 2-4-6 Not because you’re dirty Not because you’re clean Not because you kiss the boys Behind the magazine. The boys boys having fun Here comes a lady with some blueberry buns She can wriggle She can rock She can even do the splitz But I bet ya 10 bucks She can’t do this Close your eyes and count to 10 If you make a mistake You’re a big fat hen. 1-2-3-4-5-6-7-8-9-10 You did/didn’t make a mistake So that’s the end And we are friends. V8-AK1 – visit material Apple on a stick Makes me sick ©Laurie and Winifred Bauer 2002 1 NZ Playground Language Clapping Games Makes my heart beat two four six, Not because it's dirty Not because it's clean, Just because I kissed a boy Behind a magazine. -
Edgar Allan Poe V4
Cold Open: We like dark tales here on Timesuck! Stories of murderous serial killers and accounts of cult leaders’ madness are some of our most popular episodes. I get it! Fear is fun when the danger isn’t right there in front of you. Edgar Allan Poe clearly loved a little fear. He put that primal emotion in so much of his literary works. Poe didn’t kill anyone or, at least according to most historians, go mad, but he loved to spin a dark tale. He’s considered the founder of the modern, psychological horror tale. Many literary giants of today consider him to be the world’s first true suspense author. He’s the inventor of the detective novel. The Godfather of the modern spooky mystery. “He wasn’t just a mystery/suspense writer,” adds the author many consider to be today’s master of suspense and horror, Stephen King. “He was the first.” And yet he toiled in poverty for the whole of his life. He was miserable for most of it. “Poe is so ingrained in us—so deeply encoded into our cultural DNA—that we no longer recognize him,” says Louis Bayard, whose novel The Pale Blue Eye puts Poe at the center of a mystery during his days as a West Point cadet. “And yet whenever we write a mystery, whenever we write horror, whenever we write science fiction—whenever we write about obsession—we’re following in his tracks.” I like that thought about no longer even recognizing the influence Poe has over us.